Senin, 31 Juli 2017

Moonlight 2016 kostenlos filme anschauen -720p-M1V

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Moonlight"




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Buchtitel

Moonlight 2016

Dauer

133 kleinst

Verzicht

2016-10-21

Eigenschaft

Dolby Digital 1080p
DVDScr

Genre

Drama

Ausdrucksweise

English

castname

Fidan
E.
Meagan, Rexford I. Austine, Ayan V. Ally









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Nocturnal Animals 2016 kostenlos filme anschauen -720p-DAT

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Nocturnal Animals"




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Rechtsanspruch

Nocturnal Animals 2016

Dauer

138 Niederschrift

Befreiung,Entbindung

2016-11-04

Eigenschaft

AVCHD 1080p
Blu-ray

Genre

Drama, Thriller

Jargon

English

castname

Jose
M.
Kathryn, Mélie A. Eiffel, Hading L. Umrah









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We live in a country where our current presidential candidates fail to compare to our current president. We live in a country where minorities have been a subject to police brutality. We live in a country where you must enter debt by taking out a student loan and you are still not guaranteed a successful future. Are you uncomfortable yet? Comfortability won't be found here or in fashion designer turned director Tom Ford's second featured film Nocturnal Animals. The director forces you to become comfortable with being uncomfortable and the result is the most beautiful disturbingly gripping films of 2016.



> From writer/director Tom Ford comes a haunting romantic thriller of shocking intimacy and gripping tension that explores the thin lines between love and cruelty, and revenge and redemption. Academy Award nominees Amy Adams and Jake Gyllenhaal star as a divorced couple discovering dark truths about each other and themselves in NOCTURNAL ANIMALS.

Director Tom Ford starts the film with a close up of a handful of naked older white females dancing nakedly with bodies society would be disturbed by. Ford does not focuses on just one part of the body but every piece of fat, extra skin, crease, scar, and stretch mark to really push your comfortability. No, Ford is not going for shock value, especially not so early in the film because there will be plenty time for that, but he is being nice of enough to give the audience a disclaimer. A disclaimer that nothing will be more comfortable than the opening sequence and if you couldn't handle that then Nocturnal Animals is going to be one hell of a trip for you. Heck, regardless, Nocturnal Animals is one hell of a trip.

Nocturnal Animals itself contains a double narrative strand which consists of Susan's real life and her bringing the book of her ex-husband to life. Ford does not implement a voiceover to let you know that you are now in the world of the book yet he makes you feel that you are watching another film. Ford pulls off a difficult task in making the audience care about both narratives and you want to believe that both are fictional then the uncomfortability levels begin to raise once again as you are forced to remember that one is indeed reality. Tony & Susan, the 1993 novel that the films was adapted from, unfolds how intimate the act of reading could be as an author could tap into the reader's thoughts, feelings and experience. Tom Ford pulls this same feat but just with the act of watching a film.

With his first job being a fashion designer, one would only assume to be blown away by the visuals Tom Ford would create. This is true as various scenes of LA and west Texas are beyond stunning but no one would expect the clash of visuals Ford would create with LA and west Texas. The transition from super cool and grotesque LA to a brutal, violent and revengeful west Texas will once again raise your uncomfortability levels.

After all, this is a revenge film. We learn throughout the film that Susan, who comes from a wealthy family, falls in love with an inspiring author in Jake Gyllenhaal's Tony but would eventually go on to break his art in three different way. First, by telling him to take a step back from his dream of being an author. Secondly, aborting his child. Then, if the first two wasn't enough, she lives him for the handsome and dashing Armie Hammer's Hutton. Susan goes on to live the perfect life with Hutton and 20 years after her divorce with Tony, he decides to quietly place a novel about revenge in her mailbox. We feel Susan's chills as she reads the novel and without ever needing to say a word to her, Susan's perfect little world becomes to crumble

Jake Gyllenhaal and Amy Adams give us exactly what we expect from them. Aaron Taylor-Johnson offers a spine-chilling performance as Ray Marcus and Michael Shannon is fantastic as Bobby Andes. Tom Ford finally takes off his fashion designer hat and puts his fully-fledged director hat on as that was his approach with this film and two narratives. Tom Ford sustains the point that he is not a fashion designer turned director but a full-fledged director as a lesser director would have totally botched this film.
**RE
VEN
GE**

This was simply awesome. I meant the story, but the presentation was not my kind. I got the story and I enjoyed it. The performances can't be neglected either. Both the lead, Jake and Amy were the film's highlight. But I also happy for Michale Shannon's Oscars nominee. Based on the novel 'Tony and Susan', but for the film adaptation, the title got inspired by the book that appear in the story. From the director of 'A Single Man' which is his comeback film after a long gap. I would say a good attempt.

This is the story of a successful art gallery boss who got divorced and remarried to the man whom she was cheating with from her ex. Her decision was in particular influenced by her mother. Now she thinks she's happy, but one day her ex sends a copy of his latest novel that's dedicated in her name. Reading it, she realises the tough time he'd with their separation. Following the end of the book, she encounters an unexpected truth which could affect her life forever.

A dual layer story. One was fiction and the other one in the real world. But the fictional tale highly influences the main narration and that's what I call the genuine writing. So the credit must go to none other than the original author. I have seen lots of revenge films, even it can be compared to 'Three Colours: White', but the major difference is the sweet revenge. For that alone the film was awesome. The climax was even better. If you understand the narration, you will enjoy it for sure. The filmmaking should have been a bit better. Excluding that the film is not to be skipped.

_6/10_
A compelling thriller with an open-ended ending that feels far too easy for what it had going for it.

Nocturnal Animals starts out very strong. It feels reminiscent of Lynch's Lost Highway or Mulholland Dr. The main character lives a luxurious life surrounded by some very striking pieces of art (art pieces which, throughout the story, make things even more thrilling and surreal). She reads her ex-boyfriend's novel which quite honestly makes us feel like we're in a bad dream. The way the novel starts out feels like Michael Haneke's Funny Games. Its opening scene with Aaron Taylor-Johnson so brilliantly builds in tension with his character's mind games. The story however turns into a bit of a tame crime mystery held up with a sort of fun performance from Michael Shannon. The potential to be a very cryptic thriller is there, but decides instead to put all the pieces together for us. As a Lynch fan, this movie made me crave something stranger. I really wanted to be left mystified but instead I got an ending that was kind of obvious.
Only in a world where a Reality TV star becomes President could Tom Ford be one of the best directors of the year... I guess that'd be this world.

_Final rating:★★★★ - An all round good movie with a little something extra._

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Terminator Genisys 2015 kostenlos filme anschauen -1440p-Sonics-DDP

Terminator Genisys 2015 Online Anschauen



Terminator Genisys"




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Anrecht

Terminator Genisys 2015

Geltungsdauer

115 minutiös

Abgabe

2015-06-23

Eigenschaft

MPE 1440p
TVrip

Genre

Science Fiction, Action, Thriller, Adventure

Sprache

English

castname

Willis
V.
Amima, LaPlaca K. Édith, Iver Z. Marcus









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Minggu, 30 Juli 2017

Room 2015 kostenlos filme anschauen -1080p-Dolby Digital

Room 2015 Ganzer Film Deutsch



Room"




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Anrecht

Room 2015

Zeitdauer

188 Konzept

Aussetzung

2015-10-16

Güte

MPG 720p
VHSRip

Buchgattung

Drama, Thriller

Sprache

English

castname

Harbin
R.
Debby, Arvesen M. Tamia, Sekou Q. Emile









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Panic Room – Wikipedia ~ Handlung Meg Altman die sich frisch von ihrem Mann getrennt hat zieht mit ihrer elfjährigen Tochter Sarah in ein Haus in Manhattan New York City das vorher einem körperlich behinderten Millionär gehö hatte sich eine Besonderheit einrichten lassen nämlich einen sogenannten „Panikraum“ Dabei handelt es sich um einen hinter einem Spiegel verborgenen Schutzraum der zu

Emergency Room – Die Notaufnahme – Wikipedia ~ Emergency Room – Die Notaufnahme kurz ER ist eine 1994 gestartete und 2009 beendete USamerikanische Fernsehserie die vorwiegend in der Notaufnahme eines fiktiven Chicagoer Lehrkrankenhauses spielt und dabei auf realistische dramatische und auch humorvolle Weise versucht den Arbeitsalltag des medizinischen Personals und Patientenschicksale darzustellen

Escape Game – Wikipedia ~ Spielprinzip Die Grundzüge des Spielprinzips stammen aus dem AdventureGenre Als Urvater dieses Spielkonzepts gilt jedoch allgemein das Onlinespiel Crimson Room des Japaners Toshimitsu Takagi aus dem Jahr 2004 Das Ziel des Spiels besteht darin einen Ort an dem man gefangen ist zu verlassen

ElectroHouse – Wikipedia ~ BigRoom ist eine der populärsten Arten des ElectroHouse Sie entstand Anfang der 2010er in den Niederlanden und konnte sich durch die Popularität auf Festivals und Discotheken durchsetzen

Darkroom – Wikipedia ~ Ein Darkroom engl eigentlich Photographische Dunkelkammer für die Bearbeitung von lichtempfindlichen Materialien im englischsprachigen Raum allerdings backroomback room „Hinterzimmer“ genannt im Beamtendeutsch auch als „beruhigter Gastraum“ bezeichnet ist ein spärlichst beleuchteter Raum für Sexualkontakte überwiegend zwischen homosexuellen Männern in einem öffentlichen

Room2012 – Wikipedia ~ Cristóbal Gálvez Moreno 19 Mai 1987 stammt aus Obertshausen und sammelte vor Room2012 bereits neun Jahre lang Erfahrung in einem Männerchor sowie zwei Jahre in einer Liveband Gálvez Moreno spielt Gitarre und Klavier und schrieb zudem Teile des Textes zum Song Never Give Up für das „Popstars Allstars“Album Nach Ende der Band nahm er 2008 Memories mit Bahar Kizil auf 2013

Chinesisches Zimmer – Wikipedia ~ Gedankenexperiment Searle beschrieb einen geschlossenen Raum in dem sich ein Mensch befindet Ihm werden durch einen Schlitz in der Tür Zettel mit Geschichten auf Chinesisch zugestellt

Bibliothek des Trinity College – Wikipedia ~ Die Bibliothek des Trinity College Dublin englisch Trinity College Library Dublin irisch Leabharlann Choláiste na Tríonóide Baile Átha Cliath ist die Universitätsbibliothek des 1592 gegründeten renommierten Trinity College in ist Irlands größte und eindrucksvollste Bibliothek und beherbergt 45 Millionen Bände sowie eine große Sammlung historischer Handschriften

Knesset – Wikipedia ~ Die 120 Abgeordneten werden auf vier Jahre gewählt Wahlberechtigt ist jeder Bürger der älter als 18 Jahre ist Gewählt werden kann man ab Vollendung des 21

Kreditorenbuchhaltung – Wikipedia ~ OffenePostenVerwaltung Im Rahmen der OffenePostenVerwaltung werden Tätigkeiten wie das Sperren und Entsperren zur Zahlung Anpassung der Fälligkeit einzelner Kreditorenposten Altpostenkontrolle oder Prüfung auf Doppelterfassung durchgeführt Über die zeitliche Fälligkeitstruktur der Rechnungen ergibt sich eine Möglichkeit zur kurzfristigen Liquiditätsplanung


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The Magnificent Seven 2016 kostenlos filme anschauen -1440p-AAF

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The Magnificent Seven"




The Magnificent Seven-film-2016-BRRip-Dolby Digital-stream hd-HDTV-auf italienisch-MPEG-1-ganzer film-stream-WEBrip-englisch.jpg




Sachtitel

The Magnificent Seven 2016

Geltungsdauer

137 Besprechungsprotokoll

Freisprechung

2016-09-14

Eigenschaft

DTS 1080p
VHSRip

Genre

Adventure, Action, Western

Ausdrucksweise

English

castname

Shawna
E.
Diago, Dhruti P. Onfroi, Mothé A. Mickael









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The western genre has gradually been making its way back into the cinematic fold. Recent dusty trail ditties such as David McKenzie's modern-day _Hell or High Water_ or Quentin Tarantino's _The Hateful Eight_ have proven to be recent saddle-tested gems that enthusiastically put cowpoke enthusiasts in movie theater seats. Furthermore, what would Hollywood do if it did not predictably invite yet another remake of a classic film into the moviegoers' mindset? Hence, director Antoine Fuqua takes a challenging stab at generating interest in his latest workman-like western shoot 'em up in the millennium-made version of **The Magnificent Seven**.

Naturally, Fuqua's chaotic and calculating gun-toting actioner is an updated remake of director John Sturges's 1960 film that starred late iconic box office big stars such as Yul Brynner, Steve McQueen, Charles Bronson and Eli Wallach. Of course in return Sturges's borrowed his artistic gun-for-hire gumption from legendary Japanese auteur Akiro Kurosawa's vintage and influential _Seven Samurai_. Fuqua, whose gritty urban police drama _Training Day_ secured a Best Actor Oscar for his **The Magnificent Seven** leading man in two-time Academy Award winner Denzel Washington, takes on the retelling of his particular _Seven_ with feisty fury. One would not necessary anoint Fuqua's outlaw tale as a superior successor to Sturges's borrowed blueprint from Kurosawa. However, Fuqua's array of blazing bullets from his bunch of rag tag bad boys has its own distinctive sense of decorative dare and destruction that feels authentic.

Screenwriters Nic Pizzolatto ("True Detective")and Richard Wenk deliver an unapologetic script that calls for high body counts, old-fashioned showdowns and a wild west waywardness that swaggers courtesy of Fuqua's corrosive crew. The popcorn entertainment in **The Magnificent Seven** is strictly in guilty pleasure territory so there is no need to tighten up your holsters for all you little buckaroos that are eager to wallow in Fuqua's cutthroat corral of gunslingers.

Mustached bounty hunter Sam Chisolm (Washington) is the all-dressed-in-black avenger whose mission is to provide protection for the town of Rose Creek, New Mexico. In his ambitious bid to save the jeopardized Rose Creek he must assembled a group of skilled gunmen able to stand up to the diabolical powers-that-be that look to foster the on-going havoc that prevails.

Specifically, Rose Creek is under the dastardly control of the diabolical Bartholomew Bogue (Peter Sarsgaard) that rules the town with an iron fist. The opening scene demonstrates how nefarious Bogue is at heart because he has no qualms about seizing land from its vulnerable owners or quieting down his critics with intimidating force. Basically, Bogue and his hideous henchmen are not to be reckoned with at all--unless you are willing to match wicked-minded wits with the raw and rough Chisolm and his gun-wielding renegades.

Rose Creek resident Emma Cullen (Haley Bennett, "Music in Lyrics", "The Girl on the Train") steps up to the plate in her effort to confront the nasty Bogue the only best way she knows how--hiring the capable and crafty collection of the Seven to contain this intimidating menace.

Joining Chisolm in his bloody quest to rescue Rose Creek from Bogue's disturbing clutches are explosives expert gambler Josh Farraday (Chris Pratt), and conflicted sharpshooter Goodnight Robicheaux (Ethan Hawke reuniting with his "Training Day" director and co-star Fuqua and Washington). The rest of the tag-a-longs include the outlandishly bearded Jack Horne (Vincent D'Onofrio from TV's "Law & Order: Criminal Intent"), Billy Rocks (Byung-hun Lee), Vasquez (Manuel Garcia-Rulfo) and Red Harvest (Martin Seinsmeier). Together, the anti-heroes known as the Magnificent Seven hope to meet the expectations of Emma's (and the town's) cause and eradicate the villainous Bogue by any means necessary.

**The Magnificent Seven** certainly does not have any pretensions about posing as a conscious-minded, revisionist western as it definitely does not have the prolific pedigree such as Clint Eastwood's _Unforgiven_ for instance. Nevertheless, the film does have a devilish impishness as its main function is to echo an exaggerated rustic feel to its throwback acknowledgement when westerns of yesteryear were just plain frivolous and furious without any particular rhyme or reason.

Sure, the characters have really no inside depth beyond their taste for roughshod recklessness and wild tumbleweed theatrics. This is not necessarily a bad thing to consider in Fuqua's **The Magnificent Seven** because the name of the game is serving up an escapist need for its giddy-up rush for the senses. Indeed, Washington and company will not make anybody forget the aforementioned Brynner and his squad from nearly six decades ago. Still, this particular _Seven_ has its own kind of favorable punch to savor.

The notable names in _Seven_ do rise to the occasion within the context of this otherwise basic story of the wannabe borderline good guys versus the bombastic bad guys. Washington's Chisolm is solidly smooth as charismatic as the leader of the pack. Pratt's Farraday is a charming hoot as the roguish gambling cad. Hawke's Goodnight does a decent job portraying the talented gun handler simply trying to get his groove back due to his shaken confidence from a prior incident (yes, the catchy movie moniker of Goodnight Robicheaux is a keeper to say the least). And D'Onofrio's amusing Horne is deliciously irreverent. The always adventurous Sarsgaard comes to life as the vile wonder whose presence inspires the Seven to tap into vengeance mode.

At the end of the roundup it is quite clear that **The Magnificent Seven** wants to lasso its penchant for resembling a showy Hollywood western even if it is at the expense of lifting its rowdy roots from the likes of its highly regarded predecessors from golden cinema's treasured past.

**The Magnificent Seven** (2016)

Sony Pictures

2 hrs. 12 mins.

Starring: Denzel Washington, Chris Pratt, Ethan Hawke, Peter Sarsgaard, Haley Bennett, Vincent D'Onofrio, Byung-hun Lee, Maunel Garcia Rulfo, Martin Sensmeier

Directed by: Antoine Fuqua

MPAA Rating: PG-13

Genre: Western/Drama/Action and Adventure

Critic's rating: ** 1/2 stars (out of 4 stars)

(c) **Frank Ochieng** 2016
In 1879, degenerate industrialist Bartholomew Bogue (Peter Sarsgaard) blockades the mining town of Rose Creek, and butchers a gathering of local people drove by Matthew Cullen (Matt Bomer) when they endeavor to confront him. Matthew's better half, Emma Cullen (Haley Bennett), and her companion, Teddy Q (Luke Grimes), ride to the closest town looking for somebody who can help them and happen upon abundance seeker Sam Chisolm (Denzel Washington), who at first decays their proposition until he learns of Bogue's contribution.

Chisolm embarks to enlist a gathering of gunslingers who can help him, beginning with card shark Josh Faraday (Chris Pratt).Watch and download "The Megneficent Seven" here _**movies watch free**_ They are later joined by sharpshooter Goodnight Robicheaux (Ethan Hawke), blade employing professional killer Billy Rocks (Byung-hun Lee), gifted tracker Jack Horne, Comanche warrior Red Harvest and famous Mexican criminal Vasquez (Manuel Garcia-Rulfo).

Touching base in Rose Creek, the seven take part in a gunfight with Bogue's implementer McCann (Cam Gigandet) and his men and push them away with a notice to allow Rose Creek to sit unbothered. Construing that Bogue and his strengths will return in seven days, the seven and Cullen train the sportspeople to guard their home and become attached to them. Watch and download "The Megneficent Seven" here **movies watch free** Robicheaux, frequented by the abhorrences of the Civil War and dreading the unavoidable executing he will be a piece of, forsakes the gathering and is supplanted by Cullen.

Bogue touches base with his strengths and assaults the city, however the desperados are trapped by the townspeople, prompting a shootout amid which Robicheaux rejoins the gathering, McCann is murdered by Vasquez, and Horne is executed by Bogue's Comanche professional killer Denali (Jonathan Joss), who is later slaughtered by Red Harvest. Watch and download "The Megneficent Seven" here _movies watch free_. Bogue then divulges his mystery weapon, a Gatling firearm, with which he executes various innocents. Acknowledging they're outgunned, the seven push the townspeople away and mount their last stand.

Robicheaux and Rocks are killed by a second round of gunfire as Faraday penances himself to demolish the Gatling firearm and whatever is left of Bogue's men, riding up to them in a last charge and afterward exploding a stick of explosive right beside the weapon. Bogue escapes into town, where he is faced by Chisolm, who incapacitates and wounds Bogue. Watch and download "The Megneficent Seven" here movies watch free. As Chisolm is choking Bogue, he uncovers that Bogue and his men assaulted and killed his mom and sister amid an attack quite a long while prior, in which he himself survived being hanged. Bogue is then lethally shot by Cullen while going after a shrouded weapon in his boot.

In the fallout, Faraday, Robicheaux, Rocks and Horne are covered around the local area and respected by the general population of Rose Creek as saints, while Chisolm, Vasquez and Red Harvest ride off, with Cullen commenting that their gallantry made them legends. Watch and download "The Megneficent Seven" here _movies watch free_.
**The new seven, all unique and diversified!**

Basically, people watch it for either those actors and the director or for an entertertainment. But we all know the story, how it begins and how it ends, since it was the remake of the 1960 film. Actually, it was a successful remake, but not as magnificent as the original. Maybe the youngsters might like this one better.

The director's favourite, Denzel Washington in one of the main characters. Not much change in the theme, except the screenplay was little altered, especially diversity in the film characters and their developments. Because nowadays that's a big issue in Hollywood cinema. So it was led by Denzel and possibly there will be a sequel like the 'Ocean's' trilogy.

The people from a small mining town decides to hire men with guns to fight the villainous businessman who slaughtered their loved ones. The unusual seven men come together and form a team with a plan to defend the town. So what comes next is the battle between the good and the bad that lasts for the whole final act.

The setting was completely refreshing, but slightly disappointing action sequences. All the seven characters were unique and awesome, but the film lacked the great battle scene that defines each one of them. Surely I favour it just for once watch that told from the todays imagination of the 1870s era. Feels like it should have been better, but in the end it is a satisfying film.

_6.5/10_
I seek righteousness. But I'll take revenge.

Directed by Antoine Fuqua and written by Nic Pizzolatto and Richard Wenk. Starring Denzel Washington, Chris Pratt, Ethan Hawke, Vincent D'Onofrio, Byung-hun Lee, Manuel Garcia-Rulfo, Martin Sensmeier, Haley Bennett and Peter Sarsgard. Music is by Simon Franglen (also working from a James Horner template) and cinematography by Mauro Fiore.

Seven gunmen band together to aid the town of Rose Creek whose inhabitants are being driven out by ruthless capitalist Bartholomew Bogue.

We are now in an age of film making where "tagged classics" are no longer sacrosanct. Any number of these "tagged classics" have been and will become viable for remake - reboot - reimaging for newer audiences. It's here, it happens and really there's nothing we can do about it but moan amongst ourselves. John Sturges' 1960 The Magnificent Seven (itself a remake of Kurosawa pic Yojimbo) is a much loved film, and not just in Western lovers circles, it's a film that non Western fans are known to enjoy - and rightly so, it deserves its place as a "tagged classic" and still enthrals over 50 years since its release. So the big studio big wigs and Antoine Fuqua were taking a major gamble remaking a classic remake with their own remake!

Undeniably the shadows loom large over the 2016 version, so much weight of expectation, in fact to some it was a stinker of a film even before it was released! Well, as those who have seen it will attest, both the fans and the dissenters, it hasn't raised the bar for the "Seven" formula, but, and this is very key here, the makers wasn't setting out to make a film that down the line would be perceived as a "tagged classic", and this is evident in the ream of extras available on the Blu-ray releases. They achieved what they set out to do, to make a blunderbuss Oater for the modern era to sample, and they have done it with much love, much cool and lashings of technical greatness. Add in a cast clearly enjoying themselves and not letting anyone down, and it's a tasty plate of beans.

Fuqua updates things by having his seven as a row of differing ethnicities, which works a treat, and crucially he and his writers are respectful of those characterisations, even if a bit more fleshing out wouldn't have gone amiss. Yet nothing is at a cost to honouring the great Westerns of old. Beautiful landscapes envelope the players, the musical score bouncing around man and nature with homaged sweetness. There's closeups, silhouetted slices of panache, superb stunt work (man and beast), glorious set design, and then there's the action. The fight sequences are excellently constructed, a feast for the eyes and ears, death and slaughter unfurled in brutal but hunger appeasing strokes. There's comic relief about the place, and while much of the dialogue wouldn't have the great poets of yore troubled, there is deepness to be found. Intelligence, too, the addition of PTSD to one of the main players is a notable piece of worth, while how wonderful to find a Western lady character of great substance (Bennett excellent), so good in fact she could have been one of the seven!

It's a bare bones story, with a pointless motive revelation tagged on for the finale, while some anachronisms will irritate those bothered by such. But if you are able to judge it on its own terms, as a Western entertainment for this era, and to accept it isn't trying to outdo the source of its inspiration, then a good time can readily be had. 8/10
Ditches all the cerebral factors in favour of dumb fun, but hey, it works.

Final rating:★★★ - I personally recommend you give it a go.
This is indeed a very good remake of an old classic. As always I am a bit worried when they make a remake of old classics that I liked. This remake is well worth watching though. Despite having a few minor gripes I went for 5 out of 5 stars on this one.

Most of you are probably familiar with the story of The Magnificent Seven. Gunslinger gets hired to protect a village from the evil industrialist, he picks 6 buddies to help him, trains the villagers, digs in and sits down and waits for the bad guys to arrive. A simple and well suited story for a bit of Western entertainment. I guess I should mention as well that the original Western is actually not the “real” original. That honor befalls Shichinin no samurai, or Seven Samurai in English, which is a Samurai movie by Akira Kurosawa and with Toshirô Mifune in the lead role. That is the movie from which the plot originates.

Anyway, history lesson is over, back to this movie. The movie starts of by introducing the main characters. The bad industrialist is a nasty piece of thug and quickly demonstrates that, although by no means being a blood splatter movie, it is definitely more cruel than what I remember from the original. Next in line is the movies hero played by Denzel Washington and I have to say that he plays the role very well. I liked him as the calm, fairly silent, but oh so deadly gunslinger from the first frame to the last.

The other characters fit quite well into their roles as well. I cannot make up my mind about Jack Horne though. I did like the character but at the same time I felt that he was a wee bit to comical at times. I also liked Goodnight Robicheaux quite a lot but the writer really went a bit over the top as far as I am concerned when he actually left.

Of course the entire movie plays out as a build up to the final big fight and it is a big fight, that has to be said. However there are plenty of things happening during this build up. Both things involving chemically propelled slugs flying around and things slightly less noisy.

Sam Chisolm has to pick up his buddies of course, each one being an opportunity for some cool movie story telling. Then we have the training of the villagers which, as expected, becomes a wee bit comical at times. Oh, and I almost forget that there is a nice little shootout when Chisolm and his buddies introduces themselves to Bogue’s thugs in the village. Said thugs includes the local Sheriff. To no ones surprise I believe. So much for law and order. Time for a new management.

So, fast forward to the end and the big fight. It is big, it is well done and it involves plenty of things that go boom. It is plenty of action but it is also the part of the movie where I have the biggest gripe. Okay folks there are going to be a mild spoiler now. With that out of the way, let’s go to the Gatling gun. It is always cool to see a Gatling gun let loose. However can we keep it a bit more realistic please? They fire thousands of bullets without reloading (they make a fuss about reloading later in the movie). Also they position the gun out in the open where it would have been relatively easy to shoot the men operating it. An idea that they finally get much later and manage to goof up. The final solution to taking out the gun is dramatic but quite convoluted. This is the part of the movie that made me go a bit what the fuck!

Apart from that I really enjoyed this movie. A good remake of an old classic.
My only objection with this version is the use of the Gatling gun. Though I know it's only a movie and it creates more excitement, the gun never fired that many rounds per load. That said, I still enjoyed the movie.

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Jumat, 28 Juli 2017

The Equalizer 2014 kostenlos filme anschauen -1440p-M2V

The Equalizer 2014 Online Anschauen Kostenlos



The Equalizer"




The Equalizer-M1V-2014-stream-AVCHD-WMV-film-download-kostenlos-WMV-MPE-ganzer film-HDTV.jpg




Name

The Equalizer 2014

Zeitdauer

142 kurzer Entwurf

Befreiung,Entbindung

2014-09-24

Eigenschaft

MP4 1440p
HDTV

Genre

Thriller, Action, Crime

Programmiersprache

English

castname

Jubel
T.
Gale, Kuldip U. Éthan, Faun V. Alaine









The Equalizer 2014 The Equalizer ganzer film deutsch, The Equalizer online stream - Ganzer film, The Equalizer ganzer film online stream - Deutsch



Watched the movie last night, kept me interested although somewhat predictable plot. Big bad guy, quiet good guy, helpless victims, bad guy gets his. Overall I did like the movie, but then again I like anything Denzel is in.
For me this was a very entertaining vigilante flick. Denzel Washington is excellent in his role as a cold and calculating yet compassionate vigilante. The movie is slower than a lot of movies in this genre but that does not make it boring and when the action starts it is measured (for a movie in this genre) and well done.

Although there is a red thread, started by McCall’s first act of vigilantism, running through the movie he also performs a few on the side jobs as well during the movie. I like the vigilante stuff so for me this was some nice fillers to round off the movie.

The main thread pitches McCall against a real psychopathic Russian enforcer. No one can say that this movie did not have a well done bad guy. The role is quite well played. The guy is creepy to say the least. Not to mention violent of course but then so is McCall when the time is right.

One thing I liked with this movie is that McCall it is not one of the usual run around, look dangerous and clobber the bad guys in periodic outbursts of violence stereotypes. McCall is always calm, calculating, behaving intelligently and the baddies almost never realizes the mistake they just did until it is quite a bit too late.

Sure, the capacity of McCall to clobber the bad guys, usually without getting hurt himself, is bordering on superhuman but what the heck, it is fiction after all. Totally realistic movies are rarely fun, at least not movies of this genre. Also, the end fight where the baddies are more or less running around aimlessly and get taken out could have been better. Especially since the Russian mobster had shown quite a bit of intelligence up until that point. Having said that, I did like that it did not degenerate into the usual 20 minute shoot anything that moves nonsense. McCall is continuing his cold and calculating rampage through the unfortunate individuals on the wrong side and the various ways of disposing of them are rather creative.

On the whole I found this to be a rather entertaining movie. In one sense it is the usual vigilante stuff, which I happen to like, but in one sense it is not your normal run of the mill vigilante movie thanks to Denzel Washington’s cold, calculating and intelligent portrayal of McCall.
Expected pretty good, got very good. Can't call _The Equaliser_ a perfect movie, but I love me a mixed bag of content like this.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

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Scott Pilgrim vs. the World 2010 kostenlos filme anschauen -1080p-MPEG-1

Scott Pilgrim vs. the World 2010 Ganzer Film Deutsch



Scott Pilgrim vs. the World"




Scott Pilgrim vs. the World-BDRip-2010-WEBrip-Blu-ray-ganzer film-online anschauen-M4V-MPEG-blu ray-AVI-HDRip-AAF.jpg




Adelstitel

Scott Pilgrim vs. the World 2010

Dauer

199 kleinst

Entladung

2010-07-27

Güte

FLA 1080p
HDTS

Genre

Action, Comedy, Romance

Sprachfähigkeit

English

castname

Ryker
P.
Yair, Shalona D. Lizotte, Atreyu Q. Beri









Scott Pilgrim vs. the World 2010 Scott Pilgrim vs. the World ganzer film deutsch, Scott Pilgrim vs. the World online stream - Ganzer film, Scott Pilgrim vs. the World ganzer film online stream - Deutsch





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Rogue One: A Star Wars Story 2016 kostenlos filme anschauen -720p-ASF

Rogue One: A Star Wars Story 2016 Ganzer Film Deutsch



Rogue One: A Star Wars Story"




Rogue One: A Star Wars Story-online anschauen-2016-M4V-MPEG-stream-VHSRip-M1V-720p-FLV-online anschauen-HDTS-WMV.jpg




Überschrift

Rogue One: A Star Wars Story 2016

Geltungsdauer

146 Besprechungsprotokoll

Freistellung

2016-12-14

Güte

FLA 1080p
Bluray

Gattung

Action, Adventure, Science Fiction

Fachsprache

English

castname

Salmons
N.
Dangelo, Gernez J. Fizzah, Mahoney P. Rush









Rogue One: A Star Wars Story 2016 Rogue One: A Star Wars Story ganzer film deutsch, Rogue One: A Star Wars Story online stream - Ganzer film, Rogue One: A Star Wars Story ganzer film online stream - Deutsch



"It carries the burden of being about odds and stakes, of legacies and consequences, of understanding destiny..."

Read the full review here: http://screen-space.squarespace.com/reviews/2016/12/17/rogue-one-a-star-wars-story.html
Is not my new favourite _Star Wars_ movie. But does contain my new favourite _Star Wars_ scene.

_Final rating:★★★½ - I strongly recommend you make the time._
Fun Star Wars movie. Plenty of homages and nods to the original trilogy throughout the film, Andy plenty of cameos as well. Has amazing action sequences and enough thrills to keep any true Star Wars fan hooked right from the beginning. No opening crawl at the start for a change and a great score by Michael Giachinno, but still includes the original end credits with John Williams' original music. K-2SO is a show stealer and is very funny as a character. Overall the best Star Wars film since Empire Strikes Back in my opinion. The force is with this one.
On the surface, this is a well-made action movie set within the Star Wars universe filled with nods and homages to "A New Hope" that will make you tingle with warm nostalgia. The reappearance of sets, costumes and characters from our favorite childhood movies might make you say "Now, THIS is a Star Wars movie!"

However, nostalgia and making copious amounts of money on that nostalgia seemed to be Disney's primary strategy with this movie. It's mimicry, plain and simple. The CGI recreations of Peter Cushing and Carrie Fisher felt very dirty and a flagrant disrespect to the departed actors, not to mention jarring, for a first time viewer. The digital appearance of Grand Moff Tarkin disengaged me from the frail story and made me settle my stomach with a handful of antacid tablets.

The story, writing, characterization is on-par with what you'd expect from modern cinema and the movie serves it's primary purpose of being entertaining. But, as a long-time Star Wars fan, I just couldn't help but feeling pandered to while watching this movie.
Oups! I just realized that, for some reason, this movie had fallen between the cracks. It was quite some time since I watched it but I seem to have forgotten to write a post about it.

For me this was one of the best of the new (after the original trilogy) Star Wars movies. It was fun, entertaining with plenty of good, old-fashioned Star Wars action. I generally do not like prequels but this time I felt it was nice to get a bit of the background to the statement that “a number of spies died to get this information” in episode IV. We were even provided with a bit of an explanation as to why the Death Star had this silly weakness in the first place.

The actors were doing a decent enough job of it. The chatty android was fun without being totally silly. It was a nice roller coaster ride of action, improvisations, and gung ho ludicrous stunts inside and outside of various forms of transportation means.

As usual with Star Wars the science part of science fiction is somewhat lacking. What looks cool is what is put on the screen and screw science. When reading books I am more sensitive to such things but for a Star Wars movie it works well enough.

Some people seem to be dissecting the characters and dialogue, trying to put logic into it as well as wanting to have more emotions and “character development”. Come on! It is a Star Wars movie. It is supposed to be all action and visually stunning.

On that this movie delivers. Sure the plot is not really the most developed one and has plenty of faults. The movie is till a hugely fun Star Wars based science romp though.
**The episode III½.**

So this is like a bridge between the original trilogy and the next three prequels. A story where the main characters from the original tale are not involved. Being a big fan of this franchise, I loved it. I did not expect big, so got entertained well. But pity that this wonderful characters are not going to return. This is just a one-off film. For seeing its overwhelming success, there could be a prequel, which has a very very slim chance.

The story was like that had started in a half way. That's why I wanted a prequel to tell us the Galen Erso's point of view story. When he has been taken back to the base to work for the Empire, his daughter is the only one who escapes from there. After a few years later the grown- up daughter, Jyn, end up on the rebel's side. When she hints a plan for them to strike the Empire, nobody considers it. But a rogue gang forms where they all does according to her saying. That's the story, and how it all ends are the rest.

The story was simple, but the action-adventures were good. Like what a 'Star Wars' fans want to see. The main drawback was there's no familiar faces around. Even the original franchise style of title and credit presentation was off the beat. Though there were cameos. Darth Vade, Princess Leia, R2D2 and 3PO, including a small lightsabre fight at the end, just to satisfy the fanboys. Overall a worthy film, otherwise it would have not earned one billion at the box office, making one of the top 10 of all time.

_8/10_

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The Lobster 2015 kostenlos filme anschauen -1440p-M1V

The Lobster 2015 Online Anschauen



The Lobster"




The Lobster-auf italienisch-2015-720p-kostenlos-download-deutsch-italienisch-mit untertitel-TVrip-MP4-WEBrip-HDTV.jpg




Anrecht

The Lobster 2015

Zeitdauer

158 Besprechungsprotokoll

Entladung

2015-07-10

Qualität

DAT 720p
Bluray

Genre

Thriller, Comedy, Drama, Romance, Science Fiction

Programmiersprache

English, Français

castname

Zakk
W.
Eggert, Ilies W. Zixuan, Henner F. Jupiter









The Lobster 2015 The Lobster ganzer film deutsch, The Lobster online stream - Ganzer film, The Lobster ganzer film online stream - Deutsch



> Another peculiar dystopian tale set in the future.

From the director of the Oscars nominated movie 'Dogtooth'. If you are familiar with his signature movie, you will find it so good. This is not the best movie I had seen that set in the future, but like any other it was another dystopian tale. A black comedy-romance with a decent storyline, performances and overall a nice entertainer.

The pace was very depressing, but I kept hooked to it for its frequent unpredictable scenes. The first act took place in a hotel which is the introduction to the odd world and the situation where the plot opens. When it moved to the 2nd half, especially after Rachel Weisz come into the frame, the entire scenario changed to atypical romance mode and kept that way till the last with a simple twist in the finale.

Colin Ferrell's character was something like the one from the movie 'Her'. But not the same movie, or the theme, except the combination of the genres. It was a good movie, I enjoyed it, but not as much as others say they did. IMPO, it is a one time watch movie for its peculiarness.

7/10
This was an odd experience, as I just recently ended a self-imposed 12-year moratorium on relationships, due to a couple of bad ones I had within a short period of time in the early 2000's. It was very intriguing to see a type of dystopia exist in which 'singledom' was so vilified to the point of actually being against the law. I would never have previously thought that such a state of events was possible, but recent trends in 'political correctedness' on the one hand and both religious and political radicalism on the other means that, sadly, nothing is impossible anymore. I thought it was a remarkable idea for a film, and both the soundtrack and cinematography were outstanding. The bizarre script and bold direction brought forth some of the best acting I have yet seen from Colin Ferrell, Rachel Weisz and John C. Reilly, as well.

I'm definitely looking forward to seeing other films by this brazenly original writer/director. Long may his almost-Bunuelian take on things go forth.
This was Yorgos Lanthimos' English language debut. It was really funny. All of the actors had to perform their lines straight-faced and with no emotion which is very strange at first.

The screenplay and direction of the film was very intelligent and perfectly highlights the themes of the film. This film was very quirky and unique and so I really enjoyed it.

★★★★

Lobster – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

Hummer – Wikipedia ~ Um den Bestand zu schützen dürfen angelandete Hummer bestimmte und regional unterschiedliche Mindestlängen nicht unterschreiten Etwa in Massachusetts wo eine CarapaxLänge von mindestens 3 14 Zoll ca 8 cm vorgeschrieben ist In SchleswigHolstein beträgt die Mindestlänge inklusive Rostrum 11 cm Der Fangertrag lag 2009 bei 100000 t des Amerikanischen Hummers und bei etwa 4500 t

Globster – Wikipedia ~ Als Globster bezeichnet man große knochenlose und gummiartige Kadaver die an verschiedenen Stellen des Meeres an den Strand gespült heute konnte nicht immer geklärt werden worum es sich handelte In einem Fall wurde von Walblubber ausgegangen allgemein könnte es sich um Walkadaver oder deren Überreste handeln

Giorgos Lanthimos – Wikipedia ~ Leben Lanthimos wurde in Athen geboren und lernte an der Stavrakos Film School das Regiehandwerk In den 1990ern war er Regisseur bei verschiedenen Videos für griechische Tanztheater sowie für Werbefilme Musikvideos und experimentelle Theaterstücke

Amerikanischer Hummer – Wikipedia ~ Der Amerikanische Hummer Homarus americanus auch Nordhummer oder MaineHummer genannt ist eine Art der Zehnfußkrebse aus der Familie der Hummerartigen Nephropidae

Karl Heinz Willschrei – Wikipedia ~ Leben und Wirken Willschrei wurde bereits 1942 Halbwaise sein Vater fiel im Krieg Er wuchs mit der Mutter in einem Arbeiterviertel von Essen auf Nach dem Abitur studierte er in München und Wien Theaterwissenschaft Germanistik Philosophie und Zeitungswissenschaft 1965 promovierte er mit einer Arbeit über „Die poetischen Gattungen und ihr Verhältnis zur Bühne“

Sfogliatelle – Wikipedia ~ Sfogliatelle sfɔʎʎaˈtɛllɛ von italienisch sfoglia Blätterteig Singular Sfogliatella ist eine italienische Gebäckspezialität aus Neapel Das Gebäck stammt aus dem Kloster Santa Rosa in der Nähe von Salerno und besteht in der heutigen Form aus einer kegelförmigen Blätterteigtasche mit einer süßen Ricottafüllung mit Zimt und Orangenblütenaroma

Heinz Baumann – Wikipedia ~ Leben und Karriere Baumann war zu Beginn seiner Schauspielerkarriere vor allem auf der Theaterbühne tätig Einem breiten Publikum wurde er 1960 durch seine Rolle des Martin Hartog in der Filmkomödie Das Spukschloß im Spessart an der Seite von Liselotte Pulver bekannt Weitere Film und Fernsehproduktionen machten ihn schnell zu einer festen Größe in der Medienlandschaft

Tilli Breidenbach – Wikipedia ~ Leben Tilli Breidenbach wuchs in Köln auf wo sie nach dem Abitur zunächst Germanistik Romanistik und Kunstgeschichte studierte An der Schauspielschule der Kölner Bühnen erlernte sie schließlich den Schauspielberuf Nach dem Zweiten Weltkrieg gehörte sie u a zum Ensemble des Staatstheaters Darmstadt zwischen 1948 und 1950 spielte Breidenbach am Landestheater in Kiel Engagements in

Nicholas Brendon – Wikipedia ~ Leben Schultz spielte während der Highschool Jahr nach dem Abschluss musste er jedoch seine Karriere als ProfiBaseballer wegen einer Armverletzung beenden


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American Hustle"




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Rechtsanspruch

American Hustle 2013

Dauer

147 minuziös

Verzicht

2013-12-12

Eigenschaft

SDDS 1440p
WEB-DL

Buchgattung

Drama, Crime

Ausdrucksweise

English

castname

Keyshia
C.
Delors, Fayette J. Leal, Ménil J. Manuela









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Good
American Hustle is has a heavy dose of Scorsese circa 1970s with the violence replaced more by black humour.

Christian Bale, Amy Adams, Jennifer Lawrence, Jeremy Renner and Bradley Cooper all deliver excellent performances. Robert De Niro makes a cameo and reminds the audience why he was at one time the best screen actor in the world.

This is a black comedy-drama set in the late 1970's based on the true life Abscam scandal. FBI agents and con artists joined up to frame politicians for taking bribes.

Bale plays a pot bellied hustler with bad hair. Amy Adams is his partner in crime who passes off as an English Aristocrat. Both have struck it rich in a scam where they dupe arrangement fees for loans that never come to fruition.

Cooper is the ambitious FBI agent with a big ego who has the the mafia in his sights and wants to reel in a big catch but he might be out of his depth.

Jeremy Renner is the charismatic Mayor of New Jersey. A man with a big heart who wants to get things done and Bale feels guilty about getting him involved in the sting operation.

Director David O Russell gets great performances from his cast but the film feels flabby which blunts the story and the humour feels stretched at times.

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Love, Rosie"




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Überschrift

Love, Rosie 2014

Dauer

115 Besprechungsprotokoll

Freigabe

2014-10-16

Qualität

MPG 1440p
VHSRip

Gattung

Comedy, Romance

Ausdrucksweise

English

castname

Inés
N.
Estra, Ionel K. Damita, Lazare P. Claire









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Kamis, 27 Juli 2017

Django Unchained 2012 kostenlos filme anschauen -1080p-MPEG

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Django Unchained"




Django Unchained-MPEG-2012-untertitel-1080p-HDTS-WEBrip-ganzer film-AAF-DVDScr-AVCHD-untertitel-italienisch.jpg




Titulierung

Django Unchained 2012

Zeitdauer

169 sehr klein

Erlösung

2012-12-25

Eigenschaft

M1V 1440p
DVD

Genre

Drama, Western

Fachsprache

English, Français, Deutsch

castname

Chris
H.
Andrée, Vian Q. Sameh, Iver G. Jitesh









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America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

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