Kamis, 31 Mei 2018

La La Land 2016 kostenlos filme anschauen -1080p-MP4

La La Land 2016 Ganzer Film Deutsch



La La Land"




La La Land-TVrip-2016-1080p-BDRip-BDRip-blu ray-mit untertitel-Bluray-Blu-ray-TVrip-untertitel-MPG.jpg




Titel

La La Land 2016

Zeitdauer

193 winzig

Verzicht

2016-11-29

Qualität

M1V 720p
Bluray

Genre

Comedy, Drama, Romance

Jargon

English

castname

Kaila
X.
Flower, Erwann W. Neher, Donte J. Isaure









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"To me, _La La Land_ is like religion. I see the appeal, and I would never take it away from anyone. But I would also never stand in line for it."
- Jeff WInger, probably.

_Final rating:★★½ - Not quite for me, but I definitely get the appeal._
A very special, memorable film that will be iconic in the years to come.
This is definitely not a movie that I would have chosen to watch all by myself which perhaps explain why I thought it was just surprisingly okay to watch. However my girlfriend absolutely wanted to watch it so I got it. As it turned out my girlfriend had only gone by the number of Oscars and not really looked up what kind of movie it actually was so in the end I was enjoying the movie a lot more than she did.

This movie is pretty much a quite classical Hollywood musical with a non too original story, nice music and dancing. In addition the cinematography is simply excellent. This is the strong point of this movie. The rest of the movie is of lesser interest to me but the cinematography is really, really good. The scene, pictured on the movie poster, were Mia and Sebastian dances and everything in the scene are dark blue tones except Mia’s bright yellow dress is so simple and yet so beautiful.

Everything else about this movie is…okay. Okay acting, okay story etc. As I wrote before this is really not my kind of movie so forgive me for not being overly enthusiastic. I am sure those into these kind of movies cannot understand how anyone can give it less than a full set of stars but hey, different tastes and all that.

I cannot make up my mind about ending. On one hand I am a sucker for happy endings which this one falls a wee bit short on. On the other hand I have to commend the writer/director for not taking the path of least resistance and instead putting together something a wee bit different.

I did feel that a part of the movie was missing though. I would have liked to see the parts where Mia and Sebastian actually fulfilled their respective dreams. Jumping fast forward to the ending like the movie did felt a bit like they either ran out of money or they manage to misplace half the story!

Anyway, I enjoyed the movie more than I thought I would.
**They'd crossed each others life while chasing their dreams.**

I am not a big fan of modern musical films. So I was not expecting it to be a great or worst. The film opened with a song that I was not happy, because I did not like the verse or the music. And again to say, the modern timeline does not suit for the musical theme, unless it is a fantasy or an Indian film.

The best part of the film was, those song fades away as the film progresses. But I kind of liked the drama/story part and the climax track with the quick flashback (kind of). Till that scene I was considering it an average film, but that one scene changed my stance. So, now I think it is a good film, but winning 6 Oscars, I don't know it deserved that.

Yes, the director is known for making music and musical film, but he has not made many. He's young and so his career. Yep, I loved 'Whiplash'. One of my all time favourite. If that film had won 10 Oscars, I would have not surprised at all. After that flick, the people were anticipating, to exceed that success in this film. As it was received, no doubt for those people it was a different flick, but not for me. Especially if you watch lots of Indian films. By the way the film characters were nice, and so the story, but not the songs.

Gosling and Stone were performed well. The chemistry between them was great. The narration was going decently until the end, which reminded me 'Vinnaithaandi Varuvaaya' ending that I was not happy about, yet something different than usual. Sometimes I am okay with cliché than this kind of conclusion, just to bring a change in storytelling. Overall an enjoyable film, most people would love it. Some like me would say it is a decent flick, but there's always a few who would never favour it. Yet worth a watch.

_7/10_

LpRaum – Wikipedia ~ Die Räume auch LebesgueRäume sind in der Mathematik spezielle Räume die aus allen pfach integrierbaren Funktionen bestehen Das L in der Bezeichnung geht auf den französischen Mathematiker Henri Léon Lebesgue zurück da diese Räume über das LebesgueIntegral definiert werden Im Fall Banachraumwertiger Funktionen wie im Folgenden für allgemeines dargestellt bezeichnet man sie

L – Wikipedia ~ L oder l gesprochen ʔɛl ist der elfte Buchstabe des klassischen und der zwölfte Buchstabe des modernen lateinischen ist in den meisten Sprachen ein Buchstabe L hat in deutschen Texten eine durchschnittliche Häufigkeit von 344 Er ist damit der elfthäufigste Buchstabe in deutschen Texten

Aero L39 – Wikipedia ~ Die Aero L39 Albatros ist ein zweisitziges einstrahliges Schulflugzeug das in der Tschechoslowakei als Nachfolger der L29 Delfin entwickelt wurde und bis heute bei den Luftstreitkräften mehrerer Länder verwendet wird

LM – Wikipedia ~ LM ist eine Zigarettenmarke der Philip Morris GmbH die auch in Deutschland vertrieben wird Der Name kommt von der 1873 gegründeten Tabakfirma Liggett Myers Tobacco Company Vorgängerin der heutigen Liggett Group Inc in der LM ursprünglich hergestellt wurde Heute liegen die Namensrechte bei Philip Morris Die Bezeichnung „Leicht Mild“ wurde 2003 laut EGRichtlinie 200137EG

Let L410 – Wikipedia ~ Die L410 wurde ab 2010 überarbeitet Die neue Version wird dabei als L410 NG bezeichnet und besitzt überarbeitete Tragflächen mit einem größeren Tankvolumen einen geänderten Rumpf und neue Triebwerke Zwei Drittel der Konstruktion wurde von der L410UVPE20 übernommen Mit dem Erstflug des Prototyps der Let L410 NG Ende Juli 2015 begann der Zertifizierungsprozess

Lockheed L1011 TriStar – Wikipedia ~ Langstreckenversion der L1011 FAAMusterzulassung L10113853 Der Rumpf wurde um 411 Meter verkürzt und damit die Kapazität auf 300 Passagiere verringert Diese Version hatte nur noch sechs große Türen im Oberdeck und die Nottür am Ende des Rumpfes entfiel

Lockheed L188 Electra – Wikipedia ~ Die Lockheed L188 Electra ist ein viermotoriges TurbopropFlugzeug für den Personen und Frachttransport auf Kurz und Mittelstrecken Sie war das einzige große amerikanische PassagierVerkehrsflugzeug mit Propellerturbinenantrieb und wurde von 1957 bis 1961 von den LockheedWerken in den USA gebaut

Aero L60 – Wikipedia ~ Die Aero L60 „Brigadýr“ ist ein leichtes Mehrzweckflugzeug aus der erschien Mitte der 1950er Jahre und wurde an mehrere Staaten des Ostblocks sowie nach Ägypten Argentinien als „El Langostero“ Kuba und andere exportiert Sie fungierte hauptsächlich als Agrarflugzeug in der Land und Forstwirtschaft konnte jedoch auch als Schul Sanitäts Luftbild und

L’TUR – Wikipedia ~ Die ltur GmbH ist ein Reiseveranstalter mit Sitz in Rastatt Das Unternehmen wurde 1987 von Karlheinz Kögel gegründet Es bietet last minuteReisen in die ganze Welt an ltur hat 140 Verkaufsstellen in Deutschland Österreich der Schweiz Frankreich und Polen Im Geschäftsjahr 20162017 erzielte ltur einen Umsatz von 415 Millionen Euro

Faun L 91245 A – Wikipedia ~ Der Faun L 91245 A war ein militärischer Lastkraftwagen des deutschen Nutzfahrzeugherstellers Faun und gehörte zur 1 Generation der Radfahrzeuge der Bundeswehr 214 Fahrzeuge dieses Typs wurden in den Jahren 1958 bis 1970 an die Bundeswehr geliefert und hauptsächlich als Zugmaschine für Tiefladeanhänger bis 25 t Abschlepp und Bergefahrzeug eingesetzt


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The Girl with the Dragon Tattoo 2011 kostenlos filme anschauen -1440p-M2V

The Girl with the Dragon Tattoo 2011 Mit Untertitel Stream



The Girl with the Dragon Tattoo"




The Girl with the Dragon Tattoo-VHSRip-2011-MPG-1080p-online anschauen-AVI-italienisch-DVDrip-M2V-DAT-HDTV-MPEG-1.jpg




Sachtitel

The Girl with the Dragon Tattoo 2011

Geltungsdauer

169 Sitzungsprotokoll

Freisetzung

2011-12-14

Güte

MPEG-2 1440p
HDTS

Buchgattung

Thriller, Crime, Mystery, Drama

Ausdrucksweise

English

castname

Vallis
B.
Tori, Chantay X. Raees, Tatjana H. Petty









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The Edge of Seventeen 2016 kostenlos filme anschauen -1080p-MPEG-2

The Edge of Seventeen 2016 Stream Hd



The Edge of Seventeen"




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Adelstitel

The Edge of Seventeen 2016

Zeitdauer

184 Notiz

Ausgabe

2016-11-18

Güte

MPEG-1 1440p
HDRip

Genre

Comedy, Drama

Ausdrucksweise

English

castname

Gina
Y.
Chabrol, Carrey X. Imbert, Mohbeen I. Romains









The Edge of Seventeen 2016 The Edge of Seventeen ganzer film deutsch, The Edge of Seventeen online stream - Ganzer film, The Edge of Seventeen ganzer film online stream - Deutsch



"Shit. Underdeveloped? Overdeveloped? A good movie's a good movie."

- Ice T

_Final rating:★★★½ - I strongly recommend you make the time._
**Nothing is frustrating than losing a best friend!**

There are lots of stupid teen films in the recent time. But don't confuse it with them. It is a fine, sensible drama with some fun. It's a dream debut for the director. Being a woman and making a film on the same subject, especially teenager issue, really well investigated and turned into the beautiful film. Yeah, it is now one of the cult films and by the years pass on, it will gain more popularity with a certain group of people.

A teen girl who lost her close friend to her brother after they both falling in love which she did not approve. It's only the beginning of her worst life in her mid teenage. So now she has to find a way to turn her life around, or she can live her life as it is, but with complaints. The second half of the film is to cover her attempt to recovery, if she achieves one.

The surprise was, I anticipated normal teen comedy that targeted teens only. But it is almost for all ages, excluding the little ones for its strong thematic contents. Kind of inspiring and entertaining film. The casting was awesome. Hailee nailed it just like Ellen Page did for 'Juno'. Yeah, the people were comparing it with that film already. Very satisfying film on this particular theme and definitely a must see.

_8.5/10_

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Oldboy 2013 kostenlos filme anschauen -1080p-MPG

Oldboy 2013 Online Anschauen Kostenlos



Oldboy"




Oldboy-BRRip-2013-WMV-720p-stream hd-download-deutsch-MPG-DTS-auf englisch-Dolby Digital-HDRip.jpg




Sachtitel

Oldboy 2013

Zeitdauer

151 sehr klein

Verzicht

2013-11-14

Eigenschaft

DTS 720p
DVDScr

Buchgattung

Drama, Thriller, Mystery, Action

Ausdrucksweise

English

castname

Nimrata
A.
Kaylah, Anand B. Ramona, Rogelio C. Tianna









Oldboy 2013 Oldboy ganzer film deutsch, Oldboy online stream - Ganzer film, Oldboy ganzer film online stream - Deutsch




Boy George – Wikipedia ~ Boy George eigentlich George Alan O’Dowd 1961 in Bexleyheath Gemeinde Bexley heute London ist ein britischer Sänger Songwriter und te Bekanntheit erlangte Boy George in den frühen 1980er Jahren als Sänger der Band Culture aufgrund seines extravaganten Erscheinungsbildes und androgynen Kleidungsstils avancierte er zu einem der bekanntesten Pop

Game Boy – Wikipedia ~ Game Boy Special Edition 1995 wurde der ursprüngliche Game Boy unter der Bezeichnung Special Edition neu aufgelegt Er war zwar technisch mit dem Game Boy Classic identisch aber in zunächst sechs unterschiedlichen Gehäusefarben rot gelb grün schwarz weiß transparent später auch in blau erhältlich und wurde mit einer Transportbox ausgeliefert in die das Gerät vier

Boy Gobert – Wikipedia ~ Boy Gobert war der Sohn des Hamburger Kultursenators Ascan Klée kam nach einigen Theaterengagements unter anderem bei seinem Schauspiellehrer Helmuth Gmelin am Theater im Zimmer 1954 auch zum Film wo er vor allem auf das Rollenfach von Dandys Snobs und Bonvivants festgelegt war „In über 50 Filmen der Nierentischzeit juxte Gobert dann näselnd blasiert durch das Land des

Game Boy Advance – Wikipedia ~ Game Boy Advance Der Game Boy Advance GBA wurde von Nintendo 2001 als Nachfolger des sehr erfolgreichen Game Boy Color auf den europäischen Markt gebracht Gegenüber dem klassischen Game Boy bietet die HandheldKonsole Technik auf dem Stand eines verbesserten Super Nintendos ein größeres Bild eine veränderte Form Quer statt Hochformat und volle Abwärtskompatibilität zu GameBoy

Bubble Boy – Wikipedia ~ Handlung Der 17jährige Jimmy Livingston leidet unter einem Immundefekt weswegen er sein Leben in einem Raum umgeben von einer sterilen Plastikhülle verbringen stark religiöse Mutter kontrolliert sein Leben Als Kind freundet sich Jimmy mit der neuen Nachbarin Chloe an Chloe sagt eines Tages sie würde bald an den Niagarafällen Mark heiraten

Money Boy – Wikipedia ~ Money Boy 1981 in Wien zwischenzeitlich Why SL Know Plug YSL Know Plug Why SL Beezy bürgerlich Sebastian Meisinger ist ein österreichischer wurde vor allem durch den Song Dreh den Swag auf bekannt

Little Boy – Wikipedia ~ Little Boy war nach dem einfachen aber sehr zuverlässigen „Kanonenprinzip“ aufgebaut Ein Versagen der Konstruktion galt als sehr unwahrscheinlich so dass auf einen Test verzichtet wurde Die erste jemals durchgeführte Kernwaffenexplosion der am 16

Turkana Boy – Wikipedia ~ Turkana Boy oder Nariokotome Boy bezeichnet das Fossil eines männlichen Individuums der Gattung Homo dessen außergewöhnlich vollständig erhalten gebliebenes Skelett im August 1984 in Kenia am NariokotomeFluss rund 5 km westlich des TurkanaSees entdeckt wurde

Boy A – Wikipedia ~ Boy A ist ein britischer Film aus dem Jahr 2007 Er handelt von einem jungen Mann der als Kind einen Mord beging und nun aus der Haft entlassen wird um mit anderer Identität ein neues Leben zu beginnen

Golden Boy Manga – Wikipedia ~ Golden Boy Eigenschreibweise in Versalien ist ein Manga von Tatsuya Egawa der ab 1992 in Japan veröffentlicht Werk ist ins Genre Etchi einzuordnen und wurde als Anime adaptiert


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Rabu, 30 Mei 2018

The Grand Budapest Hotel 2014 kostenlos filme anschauen -1440p-MPE

The Grand Budapest Hotel 2014 Online Anschauen



The Grand Budapest Hotel"




The Grand Budapest Hotel-AAF-2014-Blu-ray-1440p-AVI-HDTS-deutsch-download-HDRip-M4V-VHSRip-MP4.jpg




Ehrentitel

The Grand Budapest Hotel 2014

Zeitdauer

144 kleinst

Freistellung

2014-02-26

Eigenschaft

FLV 1080p
VHSRip

Genre

Comedy, Drama

Programmiersprache

English, Français

castname

Natan
D.
Kerra, Haqeem M. Adrees, Mélanie A. Cheikh









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Yet another well crafter Wes Anderson's movie. Fiennes and Revolori perform well and the amount of well known actors and actresses is incredible but we have seen similar ways and scripts in his previous movies.

It's entertaining, though.
Wes Anderson's THE GRAND BUDAPEST HOTEL is the director's celebration of Central Europe culture and fashion in the years between the World Wars, and an elegy for what was lost with the rise of fascism and communism. Set in 1932 in a fictional country called Zubrowka, the streets, military regalia and (ersatz) German names we are shown could have come from anywhere between Germany and Estonia. Its protagonist Gustave H. (Ralph Fiennes) is a concierge at the eponymous luxury hotel, the splendour of which disappeared, we are told, with World War II. Gustave H. is known publicly as one of the best concierges in the business, able to dash around the hotel at lightning speed to satisfy the most varied guests of the elite clientele. Privately, he's a rake with a rather foul mouth, and fond of bedding the rich old women who patronize the establishment. When one of those old ladies, Madame Céline Villeneuve Desgoffe und Taxis (Tilda Swinton) dies and Gustave is framed for her murder, he must evade the law and unmask the true culprit, with the help of newly hired lobby boy Zero Mustafa (Tony Revolori).

The films of Wes Anderson are known for their immense visual detail, and THE GRAND BUDAPEST HOTEL is no exception. The elaborate framing of shots, the myriad cute items to look at on every set, and the architectural detail are like a diorama blown up to the big screen. Curiously, that visual detail is matched to a real slackness in the human characterization. Anderson has brought in a large number of actors he had worked with before, including Adrien Brody, Jeff Goldblum, Ed Norton, and Bill Murray, for roles that range from the main villain to little more than cameos. These characters are never fleshed out like Gustave H. or Zero Mustafa, and the actors don't even try to pass themselves off as Central Europeans from the entre deux guerres. Instead Adrien Brody plays Adrien Brody, etc.

There are two supporting roles that I felt were stronger. William Defoe plays a nearly mute henchman whose look is a nod to early vampire films (Transylvania was Central Europe, too). More remarkable is Harvey Keitel's turn as an old prisoner: when so many handsome leading men try to hide the effects of time after they enter their sunset years, 75-year-old Keitel was not afraid to show the ravages of old age here.

Unfortunately, I found the 21st-century Americans strutting about (and a few speaking in rough New York accents) in a historical drama to be jarring. I was also disappointed by the resort to Hollywood tropes here, when Anderson's earlier films managed to be very quirky and sui generis. For example, did we really need not just one scene where a character is hanging off a cliff's edge as the villain stands over him, but two? And the amount of plot details that are introduced but never really explained makes one feel that the work was subject to some heavy cuts to please a studio.

Still, if you liked Wes Anderson's earlier films, you'll find much to enjoy in his dollhouse approach, and it is amazing how every one of his films has a completely new and fresh visual theming even if his quasi-autistic obsession with prettiness never changes. Another thing I liked about the film is its "story within a story within a story". The entire plot of Gustave H. is, we are shown, taken from a fictionalized treatment by a writer who met a middle-aged Mustafa (F. Murray Abraham) in the 1960s. Befitting this novelistic layer -- and the work of Stefan Zweig that Anderson credits for inspiration -- this framing story is written in stilted, unrealistic dialogue like an old-time novel. And the aspect ratio changes for each layer of the film, a little treat for cinema anoraks.

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Django Unchained 2012 kostenlos filme anschauen -1080p-SDDS

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Django Unchained"




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Titel

Django Unchained 2012

Zeitdauer

129 minuziös

Erlösung

2012-12-25

Qualität

FLA 720p
WEBrip

Buchgattung

Drama, Western

Jargon

English, Français, Deutsch

castname

Eliane
H.
Storms, Tierney V. Sarayah, Dessay X. Drew









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America, mid-nineteenth century, just prior to the Civil War. Winter. Two horsebacked slave-traders are leading half-a-dozen manacled negro slaves through a large, unspecified section of Texas. As they move one night through a wood, they cross paths with an affable, charming German fellow identified by the hokey model tooth affixed atop his carriage by a spring as a travelling dentist. He greets the traders cordially but he's struggling to be understood; not because English is his second language (although he deferentially concedes as much when instructed - more than once - to "Speak English!") but because his vocabulary is far wider than that of the simpler men here before him. It's not a chance passing, either; this German fellow, who identifies himself as Dr. King Schultz (played by Christoph Waltz with the same smiling, deadly menace that earned him an Oscar statue for his part as Col. Hans Landa in Inglourious Basterds) is looking for these traders. More specifically, their inventory of negro slaves. Even more specifically, one of those slaves in particular. Django (Jamie Foxx, Collateral, Ray). Attempting to buy Django, Schultz is met with short, suspicious shrift and ordered at gunpoint to be on his way. Within a second, one trader lies dead and the other lies incapacitated underneath the bulk of his dead horse. Schultz unchains Django, instructs Django to take the dead fellow's horse and coat, and pays the remaining trader for all that he's taken. He then tosses the manacle key to the other slaves and posits two choices to them, as he sees it: Carry their injured master thirty-plus miles to the nearest town for medical assistance, or unchain themselves, blow the injured slave-trader's head off with the gun Shultz has left them, bury the corpses and use the Pole Star to run for the Northern states, where slavery had been abolished, and for more than fifty years in some areas. Funnily enough, they take up the latter option.

So begins Django Unchained, an oater set in the slave states of the Deep South and the latest rollercoaster by Gen-X movieland wunderkind Quentin Tarantino. Always clearly a man heavily informed by the grindhouse subgenre of the Spaghetti Western, he's finally made one himself, and if Quentin's your thing it's a blast, though I doubt it'll convert many Tarantino sceptics; in fact it'll almost certainly reinforce those things that people dislike about him, about which more later.

It transpires that Dr. Schultz ISN'T a dentist ("I haven't practised dentistry in five years," he confides to Django over a beer) but a bounty hunter, and a lethal one at that. He's chasing down the Brittles, a murderous gang of brothers currently plying their trades as plantation overseers. He doesn't know what they look like but he knows they were recently employed at the Carrucan plantation, which is why he was searching for Django - a slave recently sold by that very plantation - in the first place; Django can point them out for him. Schultz is no fan of the South's backwards-thinking propensity for slavery though, and he offers Django a deal: help Schultz find and kill the Brittle Brothers, Schultz will treat Django like a free man, pay him $75 (a decent little wedge in 1858) and rubber-stamp his freedom. Along the way, he'll also teach Django a thing or two about the art of gunfighting and about the macabre trade of bounty-hunting (both in which Django proves to be a natural). On the trail of the Brittles, Schultz wonders aloud as to Django's plans once this endeavour is over and he's free. Well, as it happens, Django is a married man and his intention, once free, is to find his wife and buy her freedom. They'd tried to run from the Carrucan plantation together but they'd been caught, branded (both Django and his wife - played with all of her nerves exposed by Kerry Washington - sport R-For-Runaway scars on their cheeks) and sold on, separately. So he doesn't know where she is but that's what he's going to try to do. Schultz, feeling responsible for Django as the man granting him his freedom, proposes a further deal: If this Brittle bounty goes well, he'll honour Django's freedom but if Django stays with him through the winter as partners, taking on bounties and earning money, he'll help Django locate his wife.

What we have here is a large sequence of set-pieces - some funny, some tense, some action-packed - stretched across very-nearly three hours (though, like most QT films, it moves like a bullet train and those three hours just fly) strung together by a fairly simple revenge/rescue tale set against a geographically sprawling backdrop; a reasonably similar template to many of Quentin's movies and an almost identical template to that of previous outing Inglourious Basterds, to which Django Unchained could almost be considered a companion piece despite the wildly different global and historical settings. Like Inglourious Basterds, Django Unchained is quite a bit longer than the story need be, and like Inglourious Basterds that is because each scene is treated by Tarantino as a mini movie, a contained set-piece all of its own. Every scene is fleshed out and deepened for either heightened comic or dramatic effect by lengthened sequences of characters going about the mundane or by characters delivering enormous monologues - rambling shaggy-dog stories, usually - to one another, for context. Not every scene is entirely necessary, either. I wouldn't call that a flaw though, I'd call it a trait typical of Quentin Tarantino; whether it's a flaw or an outright treat depends entirely on whether that's an element of Tarantino's writing that the viewer appreciates. Personally, I love Tarantino's writer's voice and I could watch these scenes for hours (indeed, I watched Django Unchained three times over the course of yesterday), but I can fully undersand what those lamenting the decent 90-minute film that's lost somewhere within the sojourns and speeches of Django Unchained are saying.

Performances throughout are utterly mesmerising, from stars Foxx and Waltz but also - in fact, maybe more so - from principle antagonists Leonardo DiCaprio as "Monsieur" Calvin Candie, the horrifying owner of the "Candyland" plantation currently holding the ownership deeds on Django's wife, and Samuel L. Jackson in an if-anything even more monstrous role as Stephen, Candie's elderly head house slave, a man who has utterly abndoned the culture and torment of his people in return for a few material trappings as the slave-in-chief. Playing to superb comedic effect is Don Johnson as Big Daddy, a strutting, peacock-like Tennessee dandy and owner of the plantation currently employing the Brittle Brothers, and delightful in cameo roles are (among many others) James Remar (The Warriors, Dexter), Jonah Hill (Superbad, The Watch), John Jarratt (Wolf Creek, Rogue) and Michael Parks (Red State, Kill Bill). Quentin himself makes a cameo as usual and, as usual, he's not as charming as he probably thinks he is, but he's also not as bad as many think he is, either. There's even a quick cameo (raising an involuntary cheer from me!) by Franco Nero, the original Django from the magnificent 1966 film of the same name by Sergio Corbucci (that's not the only nod back to the first Django movie; the opening credits to Django Unchained are presented in exactly the same way as the original, and the theme song to Quentin's film comes directly from the Corbucci film too).

Django Unchained is likely to come under fire on a couple of counts; possibly for it's incredible levels of bloodshed (one particular gunfight is the most blood-splattered scene I've seen in a movie since those elevator doors opened in The Shining), and much more probably for the liberal use of what guilty white folks like to refer to as "The 'N'-word", uttered literally hundreds of times from first scene to last. However, neither criticism is warranted in my humble opinion. The bloodshed is of the overexaggerated cartoon quality. Heads, arteries and extremities explode upon bullet impact like detonated watermelons to a gloopy, "BLAAAPP!" sound effect, the blood itself translucent, syrupy and intentionally unrealistic. And if a tale is set against the backdrop of slavery in the 19th century deep South, you're going to hear the word "Nigger" in that tale. Often. Be assured though that just as Inglourious Basterds was a revenge fantasy of the downtrodden Jewish war refugees over the stupidly evil Nazi Germans, this is a tale of empowerment of the enslaved black man over his sadistic, pig-ignorant white overseers.

If you like Tarantino, you'll probably like Django Unchained. If you like Westerns (and the blood-drenched Spaghetti Westerns of the late sixties in particular), you'll probably like Django Unchained. If, like me, you're an admirer of both Tarantino AND westerns, this is a no-brainer. Get and see it, it's a blast.

I'd like to have seen him pull a Gatling gun out of a coffin, though.
A highly entertaining yet disturbing film with superb cast and performances for an audience who would likely never consider watching a film fundamentally about slavery, where Tarantino is masterfully and emphatically navigating and exposing the complex layers of the violent and dehumanizing system of slavery.
**ENTERTAINING from start to finish !!**

Given I am a big fan of **Quentin's** works i knew this movie would be a treat to watch.But what i didn't know was violence can be so **COOL**... The movie is a treat to watch(including the blood and gore) from starting to end.The acting is superb.And the cinematography is just too good! The whole cast played their parts to perfection...Especially **Samuel L. Jackson** and **Jamie Foxx**..**Leo and Christopher Waltz** were superb too..And as Christopher said in the movie - "It was hard to RESIST".A must watch for everyone who likes QUALITY cinema..Even the ones who cant stand BOOMs and BANGs, you wouldn't regret spending about 3 hours watching this well written, well directed and well acted GREAT movie !!
This is one of the best movies I have watched in a long time. It is a pure Tarantino blast. The somewhat unexpected and quite hilarious start of the movie catches your attention from the start and from then on it is 3 hours (almost) of pure enjoyment.

The main actors are playing their roles very well. The Dr. King Schultz character (Christop Walz) is incredibly funny without being ridiculous, Jamie Foxx is excellent as Django and Leonardo DiCaprio is doing his role well as a plantation owner and slave trader. None of the rest of the crew stood out as particularly bad. Well with the possible exception of Tarantino himself then when he made his usual in-movie appearance a’ la Hitchcock. Not that he was particularly bad but he is no actor either.

The movie starts of by Dr. Schulz liberating Django and proceeding to a small town showing Django what he is in the business of doing. Those first minutes of the movie are somewhat unexpected and very funny to watch. After that the movie gets more serious as Django gets to learn to be a bounty hunter and finally gets on with his quest to rescue his “Damsel in distress”. It still has quite a bit of “Tarantino humour” sprinkled around in it though.

During the movie we are treated to a long series of stereotypical people with, let us say, an “attitude” towards African people. It is tempting to say “nigger haters” but that would not be true since a lot of these people did not exactly hate them. They just did not consider African people to be people but more than live stock for them to use as they wished. Unlike a lot of movies portraying these events this one never comes across as boringly finger pointing or overly morally lecturing. Nor does it in any way support or glorify the way things were at this time. It is a movie made to entertain set in a period where bad shit happened and using it for the story. Nothing more and nothing less.

As usual with a Tarantino movie there are some violent parts, some more violent parts and some bloody violent parts in it. The ending fights are a glorious show of destruction and blood splatter. I am sure some people are complaining about the “unnecessary violence”. I am not one of those people. Without these parts it would not be a real Tarantino movie. As always it is made with the usual exaggeration that Tarantino is so good and which reminds you that it is “only a movie”.
This is one of the few movies that I have given 10 out of 10 stars in a very long time. I enjoyed it immensely.
When Django is unchained (pronounced JANG-oh, not Duh-JANG-oh)

Released in 2012 and directed & written by Quentin Tarantino, "Django Unchained" stars Christoph Waltz as an ex-dentist who befriends an ex-slave, Django (Jamie Foxx) in West Texas a couple of years before the Civil War; they team-up as bounty hunters once they realize how good they jell. The second half focuses on their attempt to infiltrate a Mississippi plantation owned by pompous Southerner "Monsieur" Candie (Leonardo DiCaprio) in order to rescue Django's wife (Kerry Washington). Samuel L. Jackson plays Candie's overly loyal house slave.

This is an excellent American Western with Spaghetti Western elements featuring Tarantino's typical artistic flourishes. It takes place in the West AND in the South, which is reminiscent of the underrated "Nevada Smith" (1966), one of my favorite Westerns. Waltz is magnetic as the nonchalant protagonist and he & Foxx have good chemistry. There's a nice mix of interesting dialogues, amusing moments and over-the-top action. Unfortunately, but to be expected, Tarantino goes overboard with the 'n' word and the blood-letting, the latter to the point of cartoonish-ness.

Nevertheless, this is an original Western that is vibrant with creativity, including stunning locations, cinematography and a great amalgamated soundtrack/score, which includes cuts by Ennio Morricone, like the excellent "Hornets' Nest," the imaginative "The Braying Mule" and the moving "Ancora Qui." It's all-around superior to "The Hateful Eight" (2015) because it's not limited by a one-room whodunit plot (although "Hateful" has its unique points of interest).

The movie runs 165 minutes and was shot in Jackson Hole, Wyoming; Evergreen Plantation & New Orleans, Louisiana; and several locations in California (Lone Pine, Alabama Hills, Semi Valley, Melody Ranch, Santa Clarita, Independence & Los Angeles). The cast includes numerous peripheral notables, e.g. Ato Essandohs, Don Stroud, James Remar, Bruce Dern, Ato Essandoh, Franco Nero, Don Johnson, Amber Tamblyn and several others.

GRADE: A

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Selasa, 29 Mei 2018

Watchmen 2009 kostenlos filme anschauen -1440p-MPEG

Watchmen 2009 Online Anschauen



Watchmen"




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Titulierung

Watchmen 2009

Zeitdauer

148 peinlich genau

Befreiung,Entbindung

2009-03-05

Güte

SDDS 1440p
DVD

Genre

Mystery, Fantasy, Science Fiction

Programmiersprache

English

castname

Vallis
A.
Chance, Benicio W. Soboul, Hanifa W. Sexton









Watchmen 2009 Watchmen ganzer film deutsch, Watchmen online stream - Ganzer film, Watchmen ganzer film online stream - Deutsch





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Ex Machina 2015 kostenlos filme anschauen -1080p-Sonics-DDP

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Ex Machina"




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Buchtitel

Ex Machina 2015

Dauer

111 Niederschrift

Verzicht

2015-01-21

Güte

M2V 720p
BDRip

Genre

Drama, Science Fiction

Sprache

English

castname

Casian
E.
Karter, Carrey V. Reilly, Malki V. Briggs









Ex Machina 2015 Ex Machina ganzer film deutsch, Ex Machina online stream - Ganzer film, Ex Machina ganzer film online stream - Deutsch



When you think you have seen everything about AI movies, Ex Machina arrives and gives a very nice perspective on the matter.

The movie goes quick, not many things happen but they are clever, very well thought. The story is more focused in the moral problems of the human main character rather than in the awe of the creation nor the existencial problem of the AI.

The cast is all great, from Vikander to Mizuno, Glee and great Oscar Isaac.

A real must to watch if you are into the topic.
**Enjoyable, satisfying sci-fi**

Kinda smutty, kinda creepy, kinda evil, thoroughly enjoying.

OK, there's nothing mind shattering but still good fun and a nice pay off imho.

For those complaining it was predictable - if you want something you CANNOT ever predict go watch Predestination https://www.themoviedb.org/movie/206487-predestination

Something about it hit the right chords for me, modern, start up, big loud talker, sad lonely guy.... I've seen lots of those geeks turned CEO's and they don't know what they've become.

Actually more to be said about the Nathan character than the rest.

Definitely worth a watch if you like dark humour and sci-fi.

Irrigator – Wikipedia ~ Anwendung für die Vagina Die Spülung der Vagina nach dem Geschlechtsverkehr ist keine wirksame Form der Empfängnisverhütung Darüber hinaus ist die Spülung mit einer Reihe von Gesundheitsproblemen verbunden Gebärmutterhalskrebs Adnexitis Endometritis und erhöhtes Risiko sexuell übertragbarer Infektionen und wird daher nicht die Vaginalduschen verwenden haben

Norisring – Wikipedia ~ Geschichte Am 18 Mai 1947 fand erstmals ein Motorradrennen auf einer Strecke rund um die Zeppelinhaupttribüne statt Die Steintribüne ist Teil des aus der Zeppelinwiese entstandenen Zeppelinfeldes welches zum Reichsparteitagsgelände gehört Bis 1957 standen Motorradrennen im Mittelpunkt der Veranstaltungen was wahrscheinlich auch daran lag dass Nürnberg damals Sitz zahlreicher

Joey Dunlop – Wikipedia ~ Persönlichkeit Weniger bekannt waren Dunlops karitative Tätigkeiten für s sammelte er in seiner Gegend alte Kleider lud damit seinen Renntransporter und fuhr nach Rumänien Bosnien oder AlbanienFür seine gemeinnützigen Tätigkeiten wurde er 1996 mit dem OBE ausgezeichnet Joey Dunlop war ein aktives Mitglied im Bund der Freimaurer

Triceratops – Wikipedia ~ Merkmale Triceratops erreichte eine Länge von bis zu 9 Metern sein Gewicht wird auf 6 bis 12 Tonnen geschätzt Damit ist er neben dem 2007 beschriebenen aber nur wenig bekannten Eotriceratops der größte Vertreter der Ceratopsidae Ein vollständiges Skelett wurde bis jetzt nicht gefunden es sind aber über 50 zumindest teilweise erhaltene Schädel und Teile des übrigen Skeletts bekannt

BMW HP2 Enduro – Wikipedia ~ Die HP2 wird von einem luft und ölgekühlten Boxermotor angetrieben Der Viertaktmotor hat zwei Zylinder und je zwei Nockenwellen und vier Ventile pro Zylinder BMW entfernte die zentrale Ausgleichswelle der GS wodurch der Motor um 15 kg leichter wird und schneller hochdreht Die zwei Zylinder haben eine Bohrung von Ø 101 mm Durchmesser die Kolben einen Hub von 73 mm bei einem

Thiamin – Wikipedia ~ Thiamin Vitamin B 1 oder Aneurin ist ein wasserlösliches Vitamin aus dem BKomplex von schwachem aber charakteristischem Geruch und ist insbesondere für die Funktion des Nervensystems unentbehrlich Wird das Vitamin B 1 für ca 14 Tage dem Körper nicht mehr zugeführt sind die Reserven zu 50 aufgebraucht Es wird im Volksmund auch Stimmungsvitamin genannt

Moritz Sachsen – Wikipedia ~ Moritz von Sachsen 21März 1521 in Freiberg † 11 Juli 1553 bei Sievershausen war ein aus dem Hause der albertinischen Wettiner stammender Fürst Er war ab 1541 Herzog des albertinischen Sachsens sowie von 1541 bis 1549 Herzog von Sagan und ab 1547 auch Kurfürst des Heiligen Römischen war einer der wichtigsten Gegenspieler Kaiser Karls V bei der Reformierung des Reiches

ProAna – Wikipedia ~ ProAna von pro für und Anorexia nervosa Magersucht und ProMia Bulimia nervosa EssBrechsucht sind Bewegungen von Mager beziehungsweise EssBrechsüchtigen im Internet Sie entstanden Anfang des 21 Jahrhunderts in den Vereinigten Staaten und breiteten sich von dort auch nach Europa aus Die Anhänger von ProAna fast ausschließlich junge Frauen idealisieren die Magersucht und

Speikobra – Wikipedia ~ Video einer Speikobra Video Spuckverhalten von Speikobras Institut für den Wissenschaftlichen Film IWF 2005 zur Verfügung gestellt von der Technischen Informationsbibliothek TIB doi 103203IWFC12830 Quellen Literatur R McN Alexander 1963 The Evolution of the Rome Second Series 102 S 170–181

Klinikum rechts der Isar – Wikipedia ~ Die Klinik und Poliklinik für Dermatologie und Allergologie das Kompetenzzentrum für Komplementärmedizin und Naturheilkunde KoKoNat und die Klinik für Kinder und Jugendmedizin sind auf mehrere Standorte im Stadtgebiet verteilt Forschung und Lehre An der medizinischen Fakultät der TU studieren im Jahr 2018 rund 1500 Studenten Um die kontinuierliche Verbesserung der Lehre


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The Twilight Saga: Breaking Dawn - Part 2 2012 kostenlos filme anschauen -1440p-Sonics-DDP

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The Twilight Saga: Breaking Dawn - Part 2"




The Twilight Saga: Breaking Dawn - Part 2-HDTV-2012-MPEG-HDTS-download-DVDrip-1080p-online stream-DVDrip-BDRip-MPG-Blu-ray.jpg




Überschrift

The Twilight Saga: Breaking Dawn - Part 2 2012

Geltungsdauer

191 Sitzungsprotokoll

Freisprechung

2012-11-13

Beschaffenheit

MPEG-2 1080p
Bluray

Buchgattung

Adventure, Fantasy, Drama, Romance

Fachsprache

English

castname

Nourane
J.
Rodin, LaPlaca H. Ethan, Nesrine Y. Jobin









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Senin, 28 Mei 2018

Whiplash 2014 kostenlos filme anschauen -1080p-MPEG-1

Whiplash 2014 Ganzer Film



Whiplash"




Whiplash-HDRip-2014-1440p-download-1080p-MPG-WEBrip-M4V-blu ray-online schauen-ASF-hd stream.jpg




Ehrentitel

Whiplash 2014

Dauer

115 Augenblick

Entladung

2014-10-10

Beschaffenheit

AVCHD 1080p
WEB-DL

Genre

Drama, Music

Sprache

English

castname

Beily
I.
Compton, DePaiva C. Reenie, Macias Y. Layane









Whiplash 2014 Whiplash ganzer film deutsch, Whiplash online stream - Ganzer film, Whiplash ganzer film online stream - Deutsch



DISGUSTING NONSENSE...

*** This review may contain spoilers ***

I find it very sad that so many people - including so-called professional reviewers - have rated this crap so highly. I did not walk out (although I was greatly tempted to do so) but saw it to the end. A total waste of time.

Here's what might spoil it for you, should you believe the BS that's being spread around this stinking pile of excrement: It could have actually been OK if it hadn't been so laughably impossibly ridiculous. Perhaps if it had been set in the fifties or the forties when people had much less developed consciousness of human rights? But even so...

I suppose the moral/lesson we are supposed to learn is... if you can't warp your students enough by abuse to force them to become great musicians then it is perfectly alright to discard or destroy them in the attempt.

This glorified tyrant and bully can himself only produce music at a grade one level and so because he cannot 'do' he 'teaches?'

He does not teach, he does not inspire; he withholds approval, negatively reinforces and rules by fear, and is feared rather than respected. I would have a difficult time to point to a single (pedagogical) scene in the film that had any merit whatsoever or was worth watching for any reason. Maybe I should say that its evident popularity may be evidence that we are truly living in the end times... ha!

See the film if you want to be current, but please decide for yourself from watching it and don't believe the hype about its 'genius' or 'brilliance.' It is not either of those things; it's a poorly written, sad joke.

I would expect that those people who rate it so highly A) want to seem cool because 'it's about jazz' B) have never actually been in a teacher/student situation and therefore, can only imagine how its done C) see all the other positive reviews and so must follow the herd D) don't really know their ass from their elbow or E) thought the the actor had truly grown because in Spiderman he only yell, but it THIS one, he throws chairs.... or F) all of the above.

Save your money or see something uplifting instead rather than this horseshit.
Fantastic movie with a good cast with an impressive Miles Teller and a yet even more impressive J.K. Simmons. Decent script, great directing, selection of the repertoire and performances.

Just sit down, get a good audio system and enjoy one of the best movies of the 2010s.
J K Simmons won an Oscar for Best Supporting Actor for his mean, bullying monster. Jazz teacher Terence Fletcher who abhors the words 'good job.'

Fletcher tells a tale about Charlie Parker and how doing a good job was not enough for him. Good job means mediocrity.

Yet Fletcher is a mediocre educator and his college seems not to have noticed this. Instead of being an inspiration his students fear him. He is a nasty tyrant and an incident from his past comes back to haunt him.

Miles Teller plays Andrew Neiman the put upon jazz drummer in the Shaffer Conservatory in New York. Neiman is eager to impress Fletcher but nothing he can do is good enough and withstands all the effluent Fletcher throws at him until one day he snaps.

Damien Chazelle unleashed an unethical monster in Fletcher with Neiman providing the film's heart but I am not convinced that this is a good film. The rest of the students in the class are silent to the abuse taking place right in front of them. They are young adults, not kids and they do nothing about it.
When I sat down to watch this film, I didn't know what to expect. I am not usually a fan of films about musicians but this was a brilliant and tense masterpiece. The story is of a very ambitious boy named Andrew (played by Miles Teller) who is a music student in New York. He aspires to be noticed by a prestigious music teacher named Fletcher (played by J.K. Simmons). As his wish starts becoming a reality, he realises the brutality of this teacher who continually pushes him with questionable methods. Damien Chazelle's direction is almost of a tense boxing or war action drama in that it constantly uses the music of the drumming to build the tension whilst using violent and sharp editing whilst the jazz band play.

Chazelle's screenplay is very well written. It is filled with humour, tension and heartbreak. The way in which Fletcher switches during Andrew's first lesson is expertly done. Fletcher relentlessly insults Andrew in a very shocking way which really creates a huge sense of sympathy for Andrew's character as he struggles to respond. The insulting dialogue is very similar to Stanley Kubrick's 'Full Metal Jacket' in that it is both humourous and disturbingly distressing.

The performances in this film are remarkable. Miles Teller is a relative newcomer but takes to this character with so much depth and understanding. The drumming scenes look like incredible and torturous workouts and Teller really shows the pain and agony his character is going through to reach his dream. The chemistry between the two central characters is flawless. J.K. Simmons is perfect as the abusive music teacher. Simmons manages to combine Fletcher's distinguished persona with his terrifying unpredictability. Simmons reminds me of his character in Valve's 'Portal 2' in which he continuously spouts insults at the player in a darkly hilarious way.

Overall, 'Whiplash' is a fascinating study of passion, ambition and love. The film asks questions about the morality of getting one's dreams and the acceptable methods of acquiring them. Full of amazing performances all around, and created with such intensity and spirit, my final rating for this film is 4.5 stars.

★★★★½

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Split 2017 kostenlos filme anschauen -1080p-FLV

Split 2017 Online Anschauen



Split"




Split-DVDrip-2017-BRRip-HDTS-HDTS-HDTV-blu ray-stream hd-deutsch-AAF-auf italienisch-DVD.jpg




Überschrift

Split 2017

Geltungsdauer

183 peinlich genau

Auslöse-

2017-01-19

Güte

M4V 1440p
BDRip

Gattung

Horror, Thriller

Fachsprache

English

castname

Indy
Z.
Alberte, Felton V. Godard, Rahid Z. Naïs









Split 2017 Split ganzer film deutsch, Split online stream - Ganzer film, Split ganzer film online stream - Deutsch



There has been much discussion about whether or not it is socially acceptable to watch Split. I'm gonna skip right over all of that and talk purely about the movie itself.

Anya Taylor-Joy is good, but McAvoy is what makes Split worthwhile. The heavily touted twist/reveal was all but a non-event, even to a M. Night alum like myself. Though it is certainly (in my opinion) the best work The Shamhammer has brought out since at least Signs, it's hard to say that its successes rest on his shoulders. Again, it is for McAvoy that we really owe praise, who, with the exception of his role as the lead in Filth, gives his career best performance.

Final rating:★★★ - I personally recommend you give it a go.
Split was a movie that I was a bit weary to see, I had been bitten by M. Knight before and I wasn't sure if this movie would be worth while. But the trailers looked great and I had always thought James McAvoy was a seriously underrated actor.

Split surprised me. I loved this movie. Ann Taylor-Joy was decent in the film and the Dr was great, but McAvoy knocked it out of the park. Being able to portray all these different personalities with no props such as wigs or makeup shows his talent. It was amazing how one personality made you feel uneasy and perplexed and the next had you smiling and feeling like you were really staring at a strange child. Bravo McAvoy.

The twist at the end made me love this movie even more. Though I'm not sure if you can really cal it a twist. A "reveal" might be the better word for what the audience learns. Whatever you want to cal it, the reveal at the end made me excited to see what's next!

The only thing I didn't like about this film was the unresolved conflict between Ann Taylor-Joy's character at the end of the film.
Besides that, I loved it. Definitely worth watching.
**Didnt see the review section at first so,I posted on the forums**

Not a fan of The director since Unbreakable. It was slightly above average but no whee near the quality of The Sixth Sence. I don't know why I keep watching his movies, probably hoping one will be the same extraordinary quality. With all the pre-release buzz I thought this was finally that movie.

I was so disappointed. I rated it slightly lower than Unbreakable. I don't know exactly where it where it went off the rails, but it never held my attention (and I'm not ADHD- I sit though theee hours of a good bio pic.

A good part of this was the girls trying asinine ways to escape; at other time we see McAvoy play several personalities half heartily. After all the award talk I expected a much better and diverse McAvoy. Sadly, just like the majority of Night's films he has his actors perform methodically. It actually felt McAlvoy was pushing his talents against the brick wall of what the director wanted.

He wasn't the only actor who underplayed the role. So did the doctor and the three teenage girls. First, after all these late night calls for extra appointment why didn't she get upset earlier or pull a personality up (which she has stated she can do) to discover the emergency instead of A casual bye--you-leave when another dominant personality shows up to the appointment.

I rate this in the same category of Nights's films except the quality Sisth Sense and Devil, which he did not direct and only wrote the original story,

As for,the ending, I felt it was a cheap shot. If the point was they are in the same time, the message came across far too,strong. If it is a hitnt to an Unbreakable 2 I'll pass and see another big screen feature.
I read some reviews and gave this movie a shot. I was very disappointed.

M. Night Shyamalan's last good movie, in my opinion of course, was The Village, where he had control over his style.

In Split he tries to use the same formula, but it doesn't work. There was no build up in reveling the plot, and then when we get to the end the feeling I got was : "Is that it ?".

Sure all the actors were good, but that didn't make the experience for me any better.
**The 24th's about to explode!**

The much needed break for the director Shyamalan. It has been over a decade since the last time he was lauded like this for his work. On the paper, it was a simple split personality disaster theme, but cinematically clicked so well. Firstly the performance of James McAvoy made this film a very success. I have seen his lots of films, but if I had to choose only one of his great, that's would be easily this one. A straightforward story, no complication to understand, or needed to explain everything it revolves. Then suddenly the final act turned into a different mode. With a twist, all comes to end.

The three teenage girls have been kidnapped at the beginning. Following that, the victims do not know the situation, but makes a couple of bad moves, except one girl. As the film progress, many secrets revealed to us, particularly about the kidnapper. It all developed to lead in one direction where an unimaginable thing going to happen. How and what result it brings told in the following parts.

The perspective of the story was not really a thing in this. That means it does not take sides, but gives you the option to choose. And most of the viewers would root for the weird girl. It was Anya, and she's having a wonderful career in early stage. Could becomes one of the best if she contributed all her performances in the same pace and intensity. The music was equally awesome. Created the perfect atmosphere along with the visuals. I could have not asked the better one. Best thriller of the year. You will be stupid to miss it out if you love films.

_8/10_
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James McAvoy plays Kevin, a man with a genetic disease which allows him to have multiple personalities. His trusted psychiatrist, Dr. Karen Fletcher (Betty Buckley), knows 23 of them, but there's one hidden from everyone who desires to dominate over all the others. Compelled by one of his personalities, Kevin abducts three girls, where Casey Cooke (Anya Taylor-Joy) becomes their leader to try and escape the "crazy" man.

Is this the return to form by M. Night Shyamalan, who has been struggling for more than a decade to release a major success? Is Split the movie that brings him back to the spotlight?

Once again, Shyamalan's storytelling is very original, unconventional and ultimately mind-blowing. Instead of establishing everything the audience needs to know about the characters right at the beginning, he gradually develops them, giving them haunting backstories and spreading parts of it throughout the runtime. That said, this film isn't for everyone. The audience needs to trust Shyamalan and be patient. Really patient. Don't start taking notes about something that you think it's negative because once you reach the third act, everything changes and suddenly it all makes sense. The screenplay is not as twisty as Unbreakable, for example, but it demands absolute attention in order to catch up on all the things that matter (and the ones that don't, as well).

The production and editing team have to be congratulated due to their seamless work. From the camera work to the extended one-take sequences, as well as the environment surrounding the characters, everything feels real and looks amazing. The soundtrack ... Let me just say that this element is so, but so much relevant to the conclusion of this movie. I can't really say anything else without spoiling the ending, so I'll leave a note after my rating at the end of the review with a MAJOR SPOILER.

As for the cast, I'll start with the man that I honestly think should have received an Oscar nomination: James McAvoy. You know, there's a big difference in portraying a non-fiction character instead of a fiction one: concerning the former, you can't really escape the true nature of the person you are playing, but with the latter, as an actor/actress, you have to deliver yourself 100% to the role for it to be believable ... And God, does McAvoy deliver! He gives 200% in what could be his best performance to date. Do you think Andy Serkis had problems portraying both Gollum and Sméagol at the same time? Well, imagine 7 ... or 8 characters. I lost the count. All in all, James McAvoy, sir, congratulations! You are superb!

Anya Taylor-Joy is also incredible as Casey! Her character has the most intriguing story of the three girls, and she's the one who assumes the leadership of the group once the kidnap occurs. Her initially unknown past helps her through the traumatic situation, but it's really her rather captivating backstory that grabbed my attention. It's fundamental to the understanding of the ending and Anya does a terrific job. I also want to give a small praise to Betty Buckley for a beautiful and necessary interpretation of Dr. Fletcher, a character that offers the audience some knowledge of Kevin's disease.

As for the other two kidnapped girls, well ... They're my main issue with the film since they don’t have a good reason to be there. Claire (Haley Lu Richardson) and Marcia (Jessica Sula) aren't the main characters, and they don't have that much screen time, but their dialogue still feels extremely forced and filled with a lot of nonsense. The ending of the story might not be as twisty as in other Shyamalan's installments, but I hope that people don't give up to false expectations. The classic Shyamalan's twisty ending isn't a necessary attribute of his movies, but the truth is that the twist is not the one you think it is. Once again, the note at the end of my review will clarify this.

In the end, Split is Shyamalan's return to his old early 2000's self. Brilliantly unconventional storytelling, a lot of suspense, some very captivating subplots and a fantastic editing and production team behind him. The soundtrack plays a huge role in this film, as well as James McAvoy, who delivers his career-best performance. Anya Taylor-Joy is also pretty extraordinary, something that can't be said about her fellow friends who portrayed two bland characters. The ending brings the classic twist that makes everything more understandable, and I gotta say ... I love this film, and it is one of 2017's best!

MAJOR SPOILER BELOW

As I said above, the soundtrack plays a huge role in the ending twist. That's because the soundtrack that plays right before the title of the movie appears on the screen, is the same one as in the third act of Unbreakable.

This is one of the many clues throughout the film that hint at the idea that Split belongs to Unbreakable's universe. Naturally, after the title shows up, there's a scene with David Dunn (Bruce Willis) that confirms this theory, but these are little details that make Shyamalan into a great director and screenwriter. Also, it's a pity that I've only watched these movies after Shyamalan stating that they were part of an eventual trilogy. Not that I was not surprised at the end of Split, but it did remove that first impact of pure shock in knowing that two films separated by 17 years (in real life) are part of the same universe.

Both movies end up falling into the "superhero" genre. Unbreakable is the story of our "hero" who spent his whole life sad because he wasn't doing "what he was supposed to do", and Split is an origin story of our "villain". If Glass delivers, this might be one of the best “superhero” trilogies ever.

Rating: A
You like to make fun of us, but we are more powerful than you think.

Split is written and directed by M. Night Shyamalan. It stars James McAvoy, Anya Taylor-Joy, Betty Buckley, Haley Lu-Richardson and Jessica Sula. Music is by West Dylan Thordson and cinematography by Mike Gioulakis.

Three girls are kidnapped by a man with a diagnosed 23 different personalities. They must try to escape before the apparent emergence of the 24th - known as The Beast...

We now know that Split is the second instalment of a trilogy by Shyamalan that began with Unbreakable and is ending with Glass (released 2019). Always proving to be a most divisive director/writer/actor, Shyamalan has returned to the sort of noticeable form that had him earmarked in his early days as a director to follow - with the proviso that inevitably this is going to still infuriate some for its handling of the subjects at hand.

The plot trajectory is simple enough, girls kidnapped by a patient suffering from multiple personality disorder, as the girls in fear try to escape, a number of his personalities put in an appearance. Which builds up to the finale, which explodes after following on from the suspense and dread atmospherics so beloved by the director. In the mix joining the mental health issue with our main protagonist is a good meaning doctor (naturally), and the spectre of child abuse rears its ugly head. So not a movie to be cheered up by then! While if looking for a detailed and attentive look at the mental health issues to hand you will be disappointed.

However, there is a style to the picture in how it draws you into the predicament of the main players, boosted no end by McAvoy on irresistible form. Given licence to chew every scene, he delivers his various characters with great relish and no little amount of skill. Props to for Taylor-Joy, who as the lead kidnappee has deftly blended youthful innocence with resourceful strength (aided by Shyamalan's writing of course). Conversely, Shyamalan is guilty of just making a pic for entertainment purpose, which works as it's a very good creepy thriller with its black humour moments, but the mental health plot devices ensure his gimmicks will not be welcomed by all. 7/10

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