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Sachtitel	Spectre 2015
Dauer	199 peinlich genau
Auslöse-	2015-10-26
Güte	MPEG-2 1440p HDRip
Genre	Action, Adventure, Crime
Sprachfähigkeit	Français, English, Español, Italiano, Deutsch
castname	Asaiah N. Aglaë, Hart G. Gano, Kyson C. Mamadou

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Well, cinema’s most treasured and resilient British spy guy is back as the legendary James Bond makes his twenty-fourth outing on the big screen in the highly anticipated and slickly-made Spectre. Worldwide Agent 007 fans understandably maintain their embedded expectations and vision as to what calculating and cunning mission their suave and sophisticated gun-toting, martini-sipping espionage thrill-seeker will encounter in his latest globe-trotting episode. Whatever Bond enthusiasts have in mind for the future twenty-fifth entry of the “licensed to kill” Lothario they should simply settle for the present stimulating currents that trickle as mind-bending material in the polished and percolating Spectre.

As for the dynamic performer that have served his time with action-oriented cinematic sensibilities through three previous super-charged James Bond installments, the steely-jawed and diligent Daniel Craig is back on the saddle again for his fourth stint as the crafty 007. Naturally both ardent and casual Bond followers can rattle off the filmography of Craig’s on-screen tour of duty as the debonair and daring secret service operative and even rate the previous films as they compare and contrast each edition. Some may give special attention to Craig’s first foray into stepping inside Bond’s explosive shoes for 2006’s Casino Royale that is considered a spectacular introduction for the dramatically trained actor. In 2008’s Quantum of Solace, it was a mixed bag at best as Bond followers for the most part gave this second 007 rendition an ambivalent sign of approval (not too many were thrilled with the awkward movie title either). Thankfully, 2012’s Skyfall bounced back for Craig’s take on the roguish Bond and made for some exceptional brownie points as the cagey spy returning to creative prominence. Now 2015’s Spectre hopes to make some hearty tie-ins to Craig’s past big screen adventures as the stoic jet-setting dynamo ridding the world of masterful riff raff.

In actuality, Spectre is serviceable in that it is an elaborate and excitable reminder of the preceding Bond films where bits of nostalgic elements from yesteryear are sprinkled throughout its presentation. Sure, some wily 007 fanatics may spot a few of the tossed in nods to the aforementioned Casino Royale and Quantum of Solace in particular as the proceedings unfold. For the most part, Spectre acts as a mere bridge to the launching of the upcoming 25th Bond actioner in waiting. To be fair the other Bond films have served as a welcome mat to the next chapter of the late Ian Fleming’s engaging and charismatic man of action so why should not Spectre be any different in this regard? Still, this spy caper has its signature swagger that Bond aficionados relish with familiarity: heart-pumping action sequences, exquisite locales, desirable and devious Bond women, majestic car chases, larger-than-life villains and their loyal henchmen, imaginative gadgets and inventive technology and yes…the indomitable James Bond at your service. Nevertheless. the minor knock on Spectre is that it could have risen to the occasion more than it did as it occasionally feels as if it is going through the mischievous motions. It never resorts to the levels of Bond-ish drudgery in Quantum of Solace so that certainly is a relief in that aspect.

Spectre does incorporate its share of opulence, mystery, suspense, shadowy tension and perilous plight. However, where the standard Bond film-making characteristics are somewhat consistent and captivating (i.e. the breathtaking opening sequence of the Day of the Dead celebration in Mexico City) there is also a questionable consideration for the weak-kneed Bond theme song in Sam Smith’s “Writing’s on the Wall” which seems so inadequately suited for a James Bond signature tune. Even the indifferent observers of the James Bond film franchise for the last five decades can attest to the two most important stamps of a Bond film–its opening scene and surging theme song. Thankfully, Spectre’s grand opening sequence obeys traditional Bond practices but Smith’s doggedly tired-sounding “Writing’s on the Wall” feels as it belongs attached to an old televised After School special from the mid-70s. Wouldn’t you give your kingdom for Paul McCartney and Wings’ “Live and Let Die” or Carly Simon’s “Nobody Does It Better” or perhaps even Sheena Easton’s “For Your Eyes Only”?

One thing that can be said about Craig’s Bond in Spectre and that is his image transformation has been elevated to that of a fashion plate whose GQ stylized look has taken quite a step up. Not since Roger Moore’s Bond has there been a clear case of dazzling attire on display for Agent 007 to strut his stuff in spiffy clothing accessories throughout his ventured travels. Craig, billed as a “blue-collar” Bond whose demeanor is more blunt and workman-like, takes comfort in basking in the finesse shadows of a classic Agent 007 almost foreign to his distinctive spin on the iconic spy. In fact, the overall vibe for Spectre seems to lie in the middle of old school and new school James Bond mythology where the shading suits both camps of the ever-lasting film franchise.

Director Sam Mendes, who handled the direction for the previous Skyfall, finds the right tone and temple for Spectre that certainly shows off its lavish and ambitious production values as the set designs, scenic locations, fabulous pre-credits action sequence are all indescribable in majestic scope. No one can accuse Spectre as to not holding its own in visual functionality. Wisely, Mendes does not forget his Skyfall background players as they reunite with Craig’s Bond and partake in the sensationalized cat-and-mouse caper. It is refreshing to see Ralph Fiennes back as “M” not to mention Ben Wishaw’s “Q” front and center. And a Craig-fronted Bond film would not be the same without Naomie Harris as Miss Moneypenny.

Agent 007 fans will find a common "Bond" with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinettic SPECTRE
Agent 007 fans will find a common “Bond” with Daniel Craig and his fourth outing as the licensed to kill Lothario in the stunning and kinetic SPECTRE
It is a given that the diabolical criminal network known as SPECTRE has always had its affiliation with the Bond universe especially in the classic Sean Connery Bond-age years. Instinctively, SPECTRE’s evil heart and soul was pumped continuously by that organization’s dastardly mastermind Ernst Stavro Blofeld. Oscar winner Christoph Waltz does the sordid honors of taking the reins as Bond’s nemesis Franz Oberhauser in Spectre with devilish delight and is more colorfully corrupt thanks to his handy go-to muscular minion Mr. Hinx (ex-professional WWE wrestler and “Guardians of the Galaxy” star Dave Bautista) echoing the memories of beloved brute Jaws (played by the late Richard Kiel) from The Spy Who Loved Me and Moonraker).

We can never forget that along with Agent 007 folklore comes the responsibility of being labeled a treasured Bond babe. And although the latest sultry women represented in Spectre will never make us forget the iconic likes of Dr. No’s Ursula Andress (Honey Ryder) or Casino Royale’s Eva Green (Vesper Lynd) for that matter they still hold their own and give a measure of titillation to both Bond and the vast amount of male admirers wishing they carried a gun and wore expensive tuxedos while being at the receiving end of a provocative smooch by these vibrant vixens. Lea Seydoux’s Madelene Swann and Italian siren Monica Bellucci’s Lucia are on board as the Bond bombshells for hire.

As a whole, Spectre has its up and down moments and never is quite sure about standing alone as an independent Bond story or being dismissed as a pit stop for 007-related flashbacks and reference bits ode to yesteryear’s glory of the super spy’s engaging and raging exploits. The verdict is that Spectre ultimately satisfies one’s craving for the invincible James Bond whether you can to relive his vintage reputation or look forward to a millennium-enhanced production that will grow with the ageless wonderment pertaining to Fleming’s literary ladies man-turned movie-making mainstay of action-packed cinema for half a century. As one-time Bond songbird Carly Simon would attest in her soothing lyrics, “nobody does it better…” Yet in the dimensional escapist world of James Bond this particular go-around could have been a tad bit better.

Spectre (2015)

Sony Pictures

2 hrs 28 mins.

Starring: Daniel Craig, Christoph Waltz, Lea Seydoux, Naomie Harris, Ben Whishaw, Dave Bautista, Monica Bellucci, Andrew Scott

Directed by: Sam Mendes

MPAA Rating: PG-13

Genre: Spy-Espionage Caper/Action & Adventure/Suspense Thriller

Critic’s rating: ** 1/2 stars (out of 4 stars)

(c) Frank Ochieng (2015)
A "correct" Bond movie. All the expected stereotypes are included, Waltz is an OK bad guy and the intro scene is something really impressive.

Nothing else really new ...
> Not your usual Bond movie, but still a good entertainer.

What I liked from a couple of last Bond movies was they were off the regular 007 style, like not overly rely on spy's special gadgets. This change has been since the day one of Daniel Craig as a famous British spy, James Bond. Anyway, he's the most fittest (muscular) Bond I've ever seen and he's celebrating 10 year anniversary with this film release. But the question is whether he to do another film or done with the franchise. The doubt after the confusing end of this film.

The end was quite clear on the story perspective, so I kind of felt it was a farewell for Craig. But, later I came to know that the official source says Bond25 will be his fifth and so on till he opts out himself. 'Spectre' was a very simple Bond movie I have ever seen, but I can say the production quality was so good that you can't resist the enjoyment. The actors, they were also good, but not as I anticipated. Maybe many scenes were very ordinary for a Bond movie, that's comparable with the nowadays action movies, otherwise it was not as bad as critics expressing their disappointment.

You can't believe what I was disappointed, you know when they say what the C stands for - is that the best word they come up with against the M for Moron? Anyway, James Bond movies have always had ups and downs, the last film 'Skyfall' was a mega hit and now this has not stood up to that standard. But very entertaining with all the actions and unexpected turns in the narration. As a spy movie, it was okay, but as a Bond movie is what might upset you, so its upto you how you look at it. But to be honest, I enjoyed it.

7/10

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Zerebrovaskuläre Insuffizienz – Wikipedia ~ Die zerebrovaskuläre Insuffizienz andere Schreibweise cerebrovasculäre Insuffizienz CVI ist ein zusammenfassender Begriff für Störungen der Blutversorgung des Gehirns durch Gefäßläsionen Stenosen Obliterationen Gefäßschlängelungen im Bereich der hirnzuführenden oder der zerebralen Gefäße insbesondere bei der subkortikalen arteriosklerotischen Enzephalopathie des älteren

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Craniale Computertomographie – Wikipedia ~ Als craniale Computertomographie CCT bezeichnet man eine radiologische Untersuchungsmethode mit der mittels scheibenartiger Schnittbilder vor allem das Gehirn aber auch knöcherne Anteile Gefäße Gehirnkammern mit Hirnflüssigkeit sowie die übrigen Weichteile im Inneren des Schädels und jeweils viele pathologische Veränderungen dieser Strukturen visualisiert werden können

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Name	Avengers: Age of Ultron 2015
Zeitdauer	154 Memorandum
Ausgabe	2015-04-22
Qualität	Sonics-DDP 720p TVrip
Genre	Action, Adventure, Science Fiction
Programmiersprache	English
castname	Carlee X. Raisah, Daphné J. Kais, Zaynah B. Kalina

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There is a lot going on in this movie but it all just seemed kind of pointless and dull to me. Every now and then there would be a good scene or piece of dialogue but for the most part I felt myself getting bored and reaching for my phone to play Cribbage. I guess what I didn't like most is that it all felt like a big filler episode instead of an action packed character driven story arc.
Action, good Fx and a "not-completely-absurd" story. The actors perform well and you can identify them very well with their characters ... but it is all old and without imagination.

I suppose nobody was expecting anything else, though ...
This is another one of those movies that you watch primarily for the special effects with you favourite super heroes slugging it out. It is a classical Hollywood product where the story is mostly there just as a vehicle for allowing the special effects team to do their business. As such it is a success.

The movie starts of with a display of action and the afore mentioned special effects with an attack by the Avengers on a bad guy stronghold. Not surprisingly the events sows the seeds for things to come.

The movie starts off with quite an interesting story idea with the activation of Ultron. However, once he materializes as a physical entity, it became a bit of seen that, been there and done that. Ultron just turns into yet another “standard” comic book villain a’ la Megatron running around trying to look intimidating while implementing his diabolical scheme. Okay, there was a bit of originality here and there but with the good start I kind of expected a wee bit more.

Having said that, the movie does indeed fulfil its purpose of showing off a bunch of super heroes slugging it out in a flurry of special effects and, although the story idea was perhaps not used as intelligently as I had hoped, it is not bad (for this kind of movie of course) and hangs together pretty okay. Sure, it is somewhat contrived and the means by which Ultron tries to exterminate humanity is overly complicated but it is still a decent story.

Overall the movie was entertaining and provided the necessary special effects and super hero fix for those who are inclined to enjoy those kind of movies. I certainly am and, not surprisingly, the kids liked it as well.
**A long form review originally posted in 2015:**

I’ve just returned from two back-to-back viewings of _Avengers: Age of Ultron_, and I do not regret one bit going in for that second helping.

I lost my steam on the _Age of Ultron_ wagon at a very inopportune moment. About three days before it came out. I was so heavily anticipating it for such a long time, that I was actually much more excited to see this movie when it was still two months away than I was waiting in line to get into the cinema it was playing at. The combination of the market-saturation and the fact that the _Ultron _hype-train has been running for literally years, with a first trailer dropping seven months before the damn thing came out, meant I got weary of the thing just a fraction too soon. But I’m a sucker for the MCU, and there was no way I was missing the sequel to my favourite superhero movie of all time.

I won’t harp on too much, because I don’t want to spoil anything (especially given that the movie isn’t even out in most parts of the world), I will put out a spoilertalk on this blog at some point down the line, but for now just let me leave you with a couple of quick thoughts.

_Age of Ultron_ is not the best film of all time. It’s not the best superhero film of all time, it’s not even the best MCU film. Honestly, I personally feel it’s not even the best MCU Phase 2 film. But it is still good. And that’s what’s important here. But what do I mean by that?

Well, for starters, in and of itself, I loved it, a breach past an 80% approval rating from me is no small thing. The things we enjoyed from the first _Avengers_are here. The mesmerising action spectacles of course, but I more mean the character moments we got between the Avengers themselves, that was my favourite part of the first film and we get it here again in spades.

Every new thing Joss has added to the plate works splendidly as well, real Hawkeye story, new heroes, a new villain, an updated world, all of these things are big ticks in lots of boxes.

So if everything from _The Avengers_ works and everything they’ve added works great too, why is _Age of Ultron_ not a perfect film? For spoiler-free purposes I will not go into detail, but that’s okay because the answer is quite simple: Everything in _Age of Ultron_ is great. It’s what’s not in _Age of Ultron_ that’s the problem.

Joss Whedon said that the film had to be cut by nearly an hour. That way you get more showings in, and that means more money. Now I’m not saying we need every minute of that hour back, but what we ended up being left with, was just enough for _Age of Ultron_ to be the _Thor: The Dark World_ of the _Avengers _franchise (it was a far superior film to _Dark World_, but hear me out). _Age of Ultron_ is little more than a holding pattern. The set-ups for future films take up too much time for the story to bear the weight of some actual story, but everything that occurs in the film itself somehow also has virtually no consequence on world it is a part of. I can’t say it more plainly than that: It’s a holding pattern. It introduces some stuff, but it doesn’t stand alone the first film did. It’s not such a big deal when the solo-movies do that (like the aforementioned _Dark World_) because we have _The Avengers_ films for those to pay off in. But when an _Avengers_ entry is just more of the same, I can’t fully get behind it.

That all said, _Age of Ultron_ is of course a lot of fun. A huge amount of fun, I can’t state that enough. And there’s literally nothing more important something in the entertainment industry can be. These are just the things holding it back from taking it up to the next level (or if I’m being completely honest, even taking it to the level the first film was at).

75%

-_Gimly_
The fact that Joss Whedon was able to salvage some sort of coherent film out of all he was forced to cram into a single movie is quite commendable. But the sad fact is that Avengers: Age of Ultron is really just a run of the mill "bad guy wants to destroy the world for reasons" actioner that we've seen done better many times before.

Don't get me wrong. The movie's fun. The dialogue is frequently clever and humourous. And I really appreciated the quiet bits of storytelling that Whedon was able to sneak in. It's just that at the end of the day, the villain is weak sauce, there's way too much set up for other movies, and if I'm criticizing Man of Steel for having excessive destruction, I can't give Avengers a pass since they needlessly blow up not one, not two, but three cities. Pretty sure many insurance agencies went bankrupt paying out all the victims.

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Titulierung	Magic Mike 2012
Geltungsdauer	188 minuziös
Auslöse-	2012-06-28
Eigenschaft	DTS 720p Blu-ray
Gattung	Drama, Comedy
Jargon	English
castname	Lilas M. Pedro, Kiyoko O. Khalil, Shafqat R. Arwah

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Titel	The Girl with the Dragon Tattoo 2011
Geltungsdauer	175 Memorandum
Entladung	2011-12-14
Güte	FLA 720p HDRip
Gattung	Thriller, Crime, Mystery, Drama
Programmiersprache	English
castname	Braun L. Riyad, Hugh P. Joni, Étoile I. Esteban

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Sachtitel	Inception 2010
Geltungsdauer	168 minuziös
Erlösung	2010-07-15
Eigenschaft	MPG 1440p Blu-ray
Genre	Action, Science Fiction, Adventure
Programmiersprache	English, 日本語
castname	Rickie D. Juanna, Carrere J. Orsen, Michèle V. Octave

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When I first saw the trailer for this film, I knew that this would attract a lot of attention. Of course having Leonardo in the lead role helped a lot.


From the trailer, I already know some things. Dreams. All about dreams. But what about dreams? Who are the other people? At first, I didn't really understand what was going on. It was all very confusing to me. But as the movie progresses, I start to understand it and I wanted to watch some more and know more what will happen in the end. The ending. That was, I think, the most intense ending of a movie in a year or probably more than a year. People actually screamed when the screen faded. And of course, people couldn't help but talk about it. It was an open-ended movie where people will have their own endings. My favorite part was Joseph Gordon's fight scene. I think he has the most fun part in this movie.


My rate for this movie is A.
Whether you watch Inception as a heist movie, a redemption story, or a sci-fi action picture, Christopher Nolan's tour de force of dreams will absolutely work its magic over you. The fact that the film works on so many levels (literally) is an attest not only to the visual queues that make it easy for the audience to follow but to how much in control of all the intricacies its filmmaker had to be.

Amateurfunkzeugnis – Wikipedia ~ Amateurfunkzeugnis in Deutschland Das Amateurfunkzeugnis ist der Nachweis der Bundesnetzagentur für Elektrizität Gas Telekommunikation Post und Eisenbahnen BNetzA über eine erfolgreich abgelegte Amateurfunkprüfung Lizenzen werden im Amateurfunkdienst nicht vergeben da eine Amateurfunkstelle gemäß AFuG nicht zu gewerblichwirtschaftlichen Zwecken und nicht zum Zwecke des

TDABFrequenz – Wikipedia ~ Rundfunkband I VHFBand I Bisher nicht für TDAB genutzt Gültige Frequenzkoordinierungsabkommen für TDAB in Europa CEPT FINAL ACTS of the CEPT TDAB Planning Meeting Constanța 2007 WI95revCO07 ITU final acts of the European Broadcasting Conference in the VHF and UHF bands Stockholm 1961 as revised Regional Administrative Conference of the Members of the Union in the European

CBFunk – Wikipedia ~ Der CBFunk s band radio ist eine Jedermannfunkanwendung ein kostenfrei nutzbarer Sprechund Datenfunk dem ein Frequenzband um 27 MHz 11MeterBand zugewiesen ist Der dem CBFunk zugeteilte Frequenzbereich liegt am oberen Ende der Kurzwelle und reicht in Deutschland von 26565 MHz bis 27405 MHz 80 Kanäle europaweit von 26965 MHz bis 27405 MHz 40 Kanäle

ConceptMap – Wikipedia ~ Eine ConceptMap ist die Visualisierung von Begriffen Concepts und ihren Zusammenhängen in Form eines Netzes Sie ist ein Mittel zur graphischen Darstellung von Informationen und ein Mittel der Gedankenordnung und reflexion Zu unterscheiden ist die ConceptMap von der MindMap die lediglich eine Baumstruktur aufweist und vom Semantischen Netz das formaler Natur ist und nicht

Frequenzband – Wikipedia ~ OIRTBand Zusätzlich zu den von der ITU für Rundfunk vorgesehenen Bänder I bis V gibt es noch das so genannte wird seit langer Zeit von einigen Mitgliedsländern der OIRT in Osteuropa zur Verbreitung von FMHörfunk verwendet Es reicht von 659 MHz bis 731 MHz und überschneidet sich von 659 MHz bis 68 MHz mit dem Rundfunkband I Heute findet es nur noch in wenigen

ECC – Wikipedia ~ Dies ist eine Begriffsklärungsseite zur Unterscheidung mehrerer mit demselben Wort bezeichneter Begriffe

GSM Association – Wikipedia ~ 1982 als Groupe Speciale Mobile GSM von der Confederation of European Posts and Telecommunications CEPT ins Leben gerufen um eine paneuropäische Mobilfunktechnologie zu gestalten

BriefmarkenJahrgang 1963 der Deutschen Bundespost – Wikipedia ~ Der BriefmarkenJahrgang 1963 der Deutschen Bundespost umfasste 22 Sondermarken Dauermarken wurden in diesem Jahr keine herausgegeben Die Ausgabe zum Gedenken an „100 Jahre Internationales Rotes Kreuz“ ist eine der wenigen deutschen Briefmarken im Prägedruck

Bildschirmtext – Wikipedia ~ Vorgestellt wurde Btx 1977 vom damaligen Postminister Kurt Gscheidle auf der Internationalen Funkausstellung in Berlin Es war in Deutschland unter der Leitung von Eric Danke entwickelt worden der später Vorstandsmitglied von TOnline wurde Eric Danke war 1975 durch eine Fachveröffentlichung über Samuel Fedida und PRESTEL auf die ursprünglich britische Technologie aufmerksam geworden

BriefmarkenJahrgang 1965 der Deutschen Bundespost – Wikipedia ~ Liste der Ausgaben und Motive Legende Bild Eine bearbeitete Abbildung der genannten Marke Das Verhältnis der Größe der Briefmarken zueinander ist in diesem Artikel annähernd maßstabsgerecht dargestellt

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Titel	Inglourious Basterds 2009
Dauer	195 Minute
Entladung	2009-08-18
Güte	MPEG-1 1080p HDRip
Genre	Drama, Action, Thriller, War
Programmiersprache	Deutsch, English, Français, Italiano
castname	Nisrine D. Massimo, Ameila P. Regis, Sheldon R. Kiley

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Moana 2016 kostenlos filme anschauen -1080p-MPG

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Adelstitel	Moana 2016
Geltungsdauer	162 kurzer Entwurf
Aussetzung	2016-11-23
Eigenschaft	MPEG-2 720p HDRip
Genre	Adventure, Comedy, Family, Animation
Fachsprache	English
castname	Davida E. Enzo, Rouve F. Zachary, Gilpin R. Jiten

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**Girl finds out the true identity of her people.**

Okay, I shocked when I heard this film did not get the Oscars nod, except for a song. Now I have seen the film and I come to know why. This is a one liner, but developed into a longer version Except the initial parts, this film is like a limited cast/character film. Most of the film takes place in the sea sailing around fighting evil force to break the curse. But at the end, you would feel this kind of story is not worth for a feature film. It looks a perfect short animation theme.

Disney never disappoints its fans, well, for me. So I enjoyed it, it was fun and entertaining, but too simple. The characters were cute, this is a wonderful film for kids and some grownups would too enjoy it. But this is not for all, unlike most of the Disney animations are. Dwayne's voice lending for one of the lead characters was good, but the girl steals the show. Especially if you are a kid and/or a girl.

The best film since 'Lilo & Stitch' on the similar theme about Pacific islands' people. But it reminded me 'Whale Rider'. Overall, I think the story should have been improved a bit, in particular by including a few more characters at least for the partial appearances. This is not the best animation of the year, also definitely the bad one to skip. If your purpose of the watch is entertainment/timepass, it is good at that.

_6½/10_
After I watched _Zootopia_ in the middle of 2016, I thought to myself "Well, that does it, this has to be the best Family Movie of the year!" I was ready to call it right then and there. It wasn't until December rolled around and I got the chance to see _Moana_, that I realised I had spoken far too soon. For in truth Moana deserved that title!

Mostly I'm just happy that I managed to enjoy two whole Disney movies this year.

_Final rating:★★★½ - I strongly recommend you make the time._

Mon GR – Wikipedia ~ Mon deutsch und bis 1943 offiziell Mons ist ein Dorf im Schweizer Kanton Graubünden in der Gemeinde AlbulaAlvra die zum Kreis Alvaschein im Bezirk Albula gehört Bis am 31 Dezember 2014 war Mon eine eigenständige politische 1 Januar 2015 fusionierte sie mit den Gemeinden Alvaneu Alvaschein BrienzBrinzauls Stierva Surava und Tiefencastel zur neuen Gemeinde AlbulaAlvra

Hiroshima mon amour – Wikipedia ~ Hiroshima mon amour „Hiroshima meine Liebe“ auf Franz jap 二十四時間の情事 nijūyo jikan no jōji „Eine eintägige Liebe“ ist ein Filmdrama von Alain Resnais aus dem Jahr 1959

Mon Chéri – Wikipedia ~ Mon Chéri ˈmõˑʃeˌʀi frzMein Liebling ist eine mit Branntwein gefüllte Praline des italienischen Herstellers Produkt wird fast weltweit vertrieben Die äußere Hülle besteht aus Zartbitterschokolade Diese ist mit Likör etwa 066 g und einer „PiemontKirsche“ gefüllt

Autodromo Nazionale Monza – Wikipedia ~ Der Monza Eni Circuit ist eine MotorsportRennstrecke im Königlichen Park der italienischen Stadt Monza nordöstlich von dem Eröffnungsrennen am 3 September 1922 werden auf der knapp sechs Kilometer langen Strecke Automobil und Motorradrennen ausgetragen

Mein Onkel – Wikipedia ~ Mein Onkel Originaltitel Mon oncle ist eine französische Filmkomödie von Jacques Tati aus dem Jahr 1958 Tati verkörpert in dieser Satire die die sterile und automatisierte moderne Welt karikiert nach Die Ferien des Monsieur Hulot zum zweiten Mal den tollpatschigen Außenseiter Hulot Mein Onkel wurde zu Tatis größtem Erfolg der Film gewann 1958 den Sonderpreis der Jury bei den

Monica Bellucci – Wikipedia ~ Leben Während ihres JuraStudiums an der Universität Perugia verdiente Bellucci ihren Unterhalt als Fotomodell 1988 ging sie nach Mailand wurde dort von der Agentur Elite unter Vertrag genommen und warb unter anderem für Dolce Gabbana 1990 begann sie ihre Filmkarriere Ihren ersten Auftritt in einem USamerikanischen Film hatte sie in Bram Stoker’s Dracula 1992

Monschau – Wikipedia ~ Monschau monʃaʊ auch mɔndʒaʊ̯ bis 1918 Montjoie am 9 August 1918 Änderung des Namens durch kaiserlichen Erlass in Monschau ist eine Stadt an der Rur in der liegt in NordrheinWestfalen und gehört zur Städteregion Stadt liegt zwischen den Berghängen des Naturparks Hohes VennEifel in der Rureifel die ihren Namen von dem Fluss Rur trägt

Ammonoxidation – Wikipedia ~ Die Ammonoxidation ist ein chemisches Verfahren mit dem aus organischen Verbindungen mit Methylgruppen durch gleichzeitige Reaktion mit Ammoniak und Sauerstoff die entsprechenden Nitrile hergestellt werden Verfahrensbeschreibung Bei der Ammonoxidation handelt es sich um eine Gasphasenreaktion welche meist bei Temperaturen oberhalb von 300 °C durchgeführt wird

Montagsdemonstrationen 19891990 in der DDR – Wikipedia ~ Leipzig Anfänge im September 1989 In Leipzig schlossen sich schon 1988 vereinzelt an die Friedensgebete in der Nikolaikirche am Montag Abend die seit dem 20 September 1982 durch den Liebertwolkwitzer Diakon Günter Johannsen gegen das Wettrüsten in Ost und West abgehalten wurden Demonstrationen an Ab 1986 koordinierte Christoph Wonneberger der Pfarrer der Lukasgemeinde der eng mit

Demonstrativpronomen – Wikipedia ~ Das Demonstrativpronomen oder kurz Demonstrativum lat pronomen demonstrativum oder auch hinweisendes Fürwort ist eine Wortart mit der der Sprecher auf einen Gesprächsgegenstand vielen Sprachen können Demonstrativpronomina sowohl deiktisch als auch anaphorisch gebraucht werden Das Demonstrativpronomen kann sowohl adjektivisch als auch substantivisch gebraucht werden

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Titulierung	Creed 2015
Dauer	188 Minute
Freisetzung	2015-11-25
Eigenschaft	MPE 720p TVrip
Buchgattung	Drama
Programmiersprache	English
castname	Tonda H. Jahkye, Soan Y. Édith, Ricardo E. Straub

Creed 2015 Creed ganzer film deutsch, Creed online stream - Ganzer film, Creed ganzer film online stream - Deutsch

one of best boxing movie i ever watched...it's a spin off to the original rocky series....Michael B. Jordan is perfect in his role...it's maybe one of the Sylvester Stallone's best performance till the date...the boxing scenes are really good....Ryan Coogler done a great job...must watch if u love boxing...
> CREED is the new ROCKY.

Honestly, I was looking for the 7th film in the 'Rocky' series, so this spinoff was totally unexpected. But it is the right thing since the Rocky Balboa is getting old. Besides, in this reboot era, keeping franchise alive and leaping into the next generation was a very smart move. By doing this, they're keeping the original series fans with them to back it. I hope this will only get going like the Bond movies, since the young star, Jordan has another 30+ year potential to continue the 'Rocky' legacy by delivering some hits in his belt.

I don't know how they have done it, just kept everything so simple yet delivered a successful movie. The director of 'Fruitvale Station' and its actor Jordan's second successive run. I wish the combo return for the third time for another grand scale flick. Of course Stallone's presence made a big difference, but the way his character was portrayed, I feel the next film will get more emotional, especially between Rocky and Adonis like Rocky and Micky. And I'm also hoping for a bit better romantic tale on the side.

I grew up watching 'Rocky' movies, so I wanted badly it to be at least a decent, but it is a fantastic flick and I definitely suggest for those people like me. The youngsters as well can taste the new beginning in the Rocky legacy. CREED is the new ROCKY. The blueprint for the screenplay was exactly same as the original movies, even the music was very comparable yet everything was updated to the current timeline. Now I'm looking for a follow-up in the next 3 years.

8/10
Так себе. Местами пафос просто прет наружу - даже противно смотреть. Сюжет вытянет из пальца, особенно не понравилось наличие больных в фильме: девушка музыкант, теряющая слух и рокки у которого находят рак. Если бы не фильмы про рокки, то я в принципе сомневаюсь, что фильм бы заметили.

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Kingsman: The Secret Service 2015 kostenlos filme anschauen -1440p-Dolby Digital

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Sachtitel	Kingsman: The Secret Service 2015
Zeitdauer	142 Niederschrift
Erlösung	2015-01-24
Beschaffenheit	AAF 1440p HDRip
Genre	Crime, Comedy, Action, Adventure
Fachsprache	English
castname	Sumiyah S. Lenae, Hanah F. Agota, Shrina Y. Anouck

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One of the most interesting movies to watch. Humor, action and adventure well plotted into this great movie. The action is just great.
A nice surprise.

I was not expecting anything from this movie but it turned to be a really funny one, borrowing from all the other spy's movies around.

Collin Firth is a great choose and you can say the same for most of the cast, remarking also Samuel L. Jackson.

An easy movie for a brainless evening.
The kinetic super-spy caper ‘Kingsman: The Secret Service’ will serve as a boisterous blueprint for those teen fanboys out there that will fancy an elaborate overload of James Bond-esque high-powered hedonism. It certainly does not hurt that the high-wire hysteria as showcased in the twitchy ‘Kingman’ is based upon the acclaimed comicbook series by Mark Millar and Dave Gibbons. Also, add into the mix the movie-making overdrive pedigree of director Matthew Vaughn (‘Kick-Ass’, ‘X-Men: First Class’) and slick, cheeky spy-spry send-ups that recall the over-the-top espionage genre and its exaggerated suspense-driven foundation. Well, ‘Kingsman: The Secret Service’ is a cockeyed, pulsating parody that works its ultra-violent magic for the Austin Powers crowd that wants to walk on the high-octane wild side of Bond’s universe.

Sure, ‘Kingsman: The Secret Service’ has its iffy moments where the blatant sexist overtones, magnified violent sequences and a generous bloody bounce of excess will have some stomping their feet in sheer indignation. The apparent knock on ‘Kingsman’ will be its robust ridiculousness and familiarity in Vaughn’s ‘Kick-Ass’ cartoonish vibe. However, the same elements that may cause some reservations with the film’s low-brow lunacy is also the same ingredients that trigger ‘Kingsman: The Secret Service’s carousing charm in majestic mayhem.

The grand gimmick behind behind kick-starting ‘Kingsman’s go-for-broke rollicking is casting the sophisticated presence of the Oscar-winning Colin Firth (‘The King’s Speech’) as dapper Harry Hart (aka ‘Galahad’), a polished and prominent superspy for a British secret intelligence society. Hart’s top-secret spy network is headed up by Arthur (Oscar-winner Michael Caine). The secretive operation is based out of a notable tailor’s shop known as Kingsman. Also worth noting is that all the secret service agents are named after the famed knights of King Arthur’s Round Table. Go figure. In any event, the suave Harry Hart is the debonair face of the spy organisation and will play a critical part in both recruiting a young up-and-coming agent with decent physical skills and tracking down a worldwide menace bent of destroying the planet. It is all in a day’s work for the skilled, well-dressed licensed-to-kill operative.

Hart, who had been loyally connected to a fallen colleague from a past mission gone disastrous years before, decides to become a mentor for his late co-worker’s troubled son Gary ‘Eggsy’ Unwin (played by newcomer Taron Egerton) whose law-breaking conduct catches the attention of the police. Feeling a sense of responsibility for his deceased spy buddy’s wayward kid, Hart takes Eggsy under his wings and determines to shape the misguided youngster into resilient Kingman stock. After all, Eggsy has the needed physicality (we are told he is an exceptional gymnast) and roguish spunk to join the ranks of the seemingly understaffed spy outfit. Soon, Eggy and other recruits will be grilled through rigorous training from Kingman member Merlin (Mark Strong) as they look to fill the spot vacated recently from the dead Lancelot.

The dearly departed Lancelot, it turns out, was the latest victim of ruthless criminal mastermind Valentine (Samuel L. Jackson). The flashy Valentine, a billionaire gone bonkers, hopes to control the world’s climate change. He is known as a mega-wealthy entrepreneur and philanthropist but his sinister heart yearns for some heavy-handed dastardly deeds that puts him on the immediate radar for Hart and his crafty Kingsmen to spring into action. At the demented Valentine’s side is the deliciously disabled exotic henchwoman Gazelle (Sophia Boutella) with the treacherous knack for disarming her adversaries with blazing blades.

The bombastic and eye-pleasing ‘Kingsman: The Secret Service’ sets out to have one goal in mind: to highlight its thunderous homage to spygate spectacles that salute everything from the Agent 007 flicks and related free-wheeling 60’s fare such as the ‘Matt Helm’ and ‘Derek Flint’ spy franchises to the recent espionage vehicles that invite the millennium-based harried heroes such as the Jason Bournes and Jack Ryans of the world into the frenetic fold. It is fast, furious and unapologetic in its rambunctious spirit as a ricocheting romp.

Vaughn, in all his rousing Tarantino-esque tactics, unleashes a visceral assault that is visually wrapped in his escapist package of an adrenaline rush. Wisely, Vaughn incorporates some of his ‘Kick-Ass’ colourful calisthenics to arm his playful spy yarn. As the veteran spygame squires, both Firth and Caine are game for the frolic they signed up to participate in with puckish aplomb. Jackson brings his usual explosive badass persona to the table as the villainous fashion plate Valentine. The 14 year-old males will draw their adventurous inspiration from Egerton’s junior spy Eggsy Unwin. Some may become nostalgic when uncovering the likes of spotting ‘Star Wars’ icon Mark Hamill as an imperiled climate changer scientist caught in the crazy clutches of Jackson’s diabolical antagonist.

Although not the most inventive take on ridiculing the spy genre with over-extended finesse and sensationalism, ‘Kingsman: The Secret Service’ is still a preferred jolting distraction at the beginning of an early stillborn movie season.

Kingman: The Secret Service (2015)

20th Century Fox

1 hr. 40 min.

Starring: Colin Firth, Taron Egerton, Michael Caine, Samuel L. Jackson, Mark Strong and Sophia Boutella

Directed by: Matthew Vaughn

MPAA Rating: R

Genre: Spy Thriller/Action & Adventure/Fantasy & Action
'Kingsman: The Secret Service' is a comedy film that satirises spy movies such as the James Bond franchise. Gary 'Eggsy' Unwin (played by Taron Egerton) is a normal working class 18 year old from London who gets recruited into a super secret spy organisation. Humour comes as he tries to mix with these posh and suave upper-class stereotypes.

Matthew Vaughn has included his typical ultra stylised violence ('Kick Ass') and it does boast a good sound track. There are a lot of nods to films such as Quentin Tarantino's 'Pulp Fiction' but it just reminds me of examples when things have been done much better. The highlight of the film for me was a scene in which Colin Firth violently massacres a crazy church to the music of Lynyrd Skynyrd ('Free Bird') whilst almost seeming like a continuous long shot.

The screenplay is very unoriginal and the dialogue with the young actors in particular is cringe-worthy. Tarantino type set-pieces just come across as annoying as the film fails to have any cleverness or creativity.

Apart from Colin Firth every actor is either average or just really bad. Samuel L. Jackson, in particular, is worse than usual as he tries to add some freshness to his regular spiel by trying to affect an annoying and distracting speech impediment.

'Kingsman' is going to appeal to the intended target age group as it does contain scenes of fantasy violence depicted as "cool" whilst characters swear. It would also help your enjoyment of the film if you have not seen the many, many examples where each scene had been conducted much better.

★★½
If you like old-fashioned James Bond style movies you probably like this one. It is a bit more outrageous and has a few more overly silly moments than the old Bond movies but on the whole this is a very fun and enjoyable secret agent movie.

Gary is, via a few twists and turns at the beginning of the movie, recruited by a secret agent employed by a super secret private organisation with remarkable resources. Their agents looks and behaves like London upper class gentlemen but have remarkable fighting skills. The initial scenes when Gary is recruited are just great.

Gary is then submitted to a rather gruesome training schedule and at the same time the main plot plays out in parallell. Of course the two threads merge towards the classical showdown with the megalomaniacal evil mastermind in the end where, naturally, Gary gets to save the world.

The movie has all the “goodies” of a secret agent movie. British gentlemen agents, action, secret agent “stuff” like shops that are not what they look like, hidden entrances into secret bases, rooms that are actually elevators and of course gadgets, lots of gadget to help our heroes thwart the evil mastermind’s nefarious plans. Of course said mastermind have a personal henchman a la Oddjob to do the more grisly parts of his evil biddings. I quite liked this rather unique henchman, or rather henchwoman, and her odd weapons. More so than the main villain which I found a bit bland at times.

On the whole I enjoyed this movie a lot. However, there are some silly parts which drags it down a bit. I especially disliked the colorful exploding heads towards the end of the movie. That just felt like the producer/director was smoking some funny stuff when making those scenes. There were a few other scenes which I felt was going too much towards silly comedies as well. Without those I would probably have added a star.

All things said this was well spent 130 minutes as far as I am concerned.

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Sachtitel	The Hunger Games 2012
Zeitdauer	181 kleinst
Entladung	2012-03-12
Eigenschaft	MP4 1440p HDTV
Genre	Science Fiction, Adventure, Fantasy
Ausdrucksweise	English
castname	Calais Z. Dufour, Morin U. Medhi, Adal F. Rajot

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Very well made movie with quality writing, acting and cinematography.

**Pros**: strong performance from the star. Technically excellent.

**Cons**: Seems to me that the ending was premature but perhaps intentionally so - for a sequel? Character development is largely weak but there are a lot of characters and already a long movie so I suspect a lot was left on the cutting room floor.

Despite some weakness, still a compelling movie worth a watch if not up to all of the hype.
Stories about revolution can be quite good. But stories about why a revolution is needed are invariably great. The Hunger Games is such a story.

The movie (for the most part), closely follows the book, and does a good job of it. It also sets up the next book/movie beautifully, even better than the book itself does.

The premise, of course, is borrowed from Ancient Rome, when gladiators and/or criminals an/or people whom the emperor wanted killed were forced to fight each other to the death in a public arena for the entertainment of the general populace. And just as decadent as Rome was back then (only rescued from itself by the rise in prominence of The Christian sect), so the "Capitol" is now portrayed in the film/book---and the film portrayed the affluent decadence of the Capitol quite well.

In this particular instance the "tributes" were chosen at random from among children aged 12 through 18, and it was meant as retribution and reminder of the "crimes" the 12 colonies committed by reveling against the authority and rule of the Capitol 74 years ago. At the public "reaping", when a boy and a girl were chosen to become the sacrificial tributes at teach of the 12 colonies, the Decree of Punishment was read and the colonies were reminded that this punishment was established to demonstrate how weak the colonies were in comparison with the Capitol, in that the Capitol could take the most prized possessions of the colonies (namely, their children), and the colonists themselves could do nothing about it. And to really rub it in, the colonists themselves were forced to watch the tournament proceedings.

I have to say, the punishment is deviously clever from the point of view of the Capitol. It certainly keeps the Colonies divided in spirit (they were already segregated physically, with no communication between them allowed by the Capitol), for in cheering for their own children they are therefore cheering for the defeat---and therefore death---of the other colonies' children. It also keeps colonists divided within each colony, for there can only be one champion, which means that in wishing their children not to be chosen at the reaping, each colonist is thereby wishing that someone else's children be chosen. Furthermore, in celebrating that their children were not chosen, they are also, incidentally, celebrating that some other person's children will likely die. And for the families of the chosen children, in supporting their own family member during the tournament, they are incidentally supporting the death of the other family's child. And it keeps the population of the colonies low, which the Capitol would want to promote (less chance for another insurrection if the population is low): for the youngest are taken, before they are married, and those who survive the yearly reapings will think twice about having children of their own and having them go through this traumatic process year after year during their most vulnerable adolescent years. And furthermore, the Capitol encourages the colonists' tacit endorsement by rewarding the winner's Colony with extra food that year (hence "The 'Hunger' Games"). But it is all manipulation, in the end.

In fact, by the end of the Games, right before being killed himself, one of the most avid killers among the children realizes just how much it all is the Capitol's manipulation, how pointless it all is to those who participate, and how, in the end, he didn't really have a chance---that he was destined to die from the beginning---and that killing or being killed is all that not only the Capitol, but also his Colony, want from him. An eye-opening realization for someone who up to this point had been quite eager to kill his fellow children.

Given the vicious circumstances which were thrust upon these children---none of which is their fault---the question naturally arises: how should a child bound under the moral law behave? Should he try to win, by killing the other children? Should they try to win at all? Should they let themselves be killed, in order that another might live?

Of course, the obvious moral choice would be for none of the children to participate in this horrendous form of reality television: if they do not fight each other the show is not interesting, and eventually it is discontinued. The children would likely still be executed, along with many of their own family members in reprisal from the Capitol. If one thinks in terms of consequences only (utilitarianism), then this would be the wrong approach: after all, they would say "it is better that one person survives than that they---and all their families---die". But such thinking is quite repugnant, however logical it is. Consequentialism is missing a big piece of the moral landscape, namely that we ought not to become evil ourselves in our fight against evil. Yes, the consequences of "civil disobedience" as could morally be practiced in this scenario are more dire in terms of the quantity of damage made. But they are much more preferable in terms of the quality of damage made. By fully participating in the carnage (and inflicting some yourself) you become complicit in the very evil which oppresses you. Similarly, your family, and even your colonies (and all colonies, for that matter) become part of the system, and in some tacit way endorse it---for they all want their children to live, and tacitly support the other colonists' children's death. Furthermore, what kind of person does one become after killing 23 children by brutal means at a very young age (when the impressions of life still shape us in a powerful manner)? What kind of society does one help create when one has inwardly become a psychotic monster? What kind of society abides criminal monsters in its midst?

But, some will claim, it is unrealistic to expect each and every child to be morally minded, especially when some children (from two different colonies which are highly favored by the Capitol) actually volunteered for the "honor" to represent their colonies at the tournament. What is the correct moral response when civil disobedience is not an option (no opportunity) and some, if not most of the other children are out to kill you, whether by pleasure or need to survive?

It seems to me there are two possible moral responses. one of them is the route of self-defense, whereby one does not intentionally kill or go out of one's way to engage the enemy, but tries to flee as a first alternative, BUT where one DOES defend oneself against the attacks of others, and inflicts only as much harm as is necessary to stop the aggressor, AND only if absolutely necessary one uses lethal force. In the end, very likely, the Capitol would force matters to a resolution, either by forcing "aggressors" and "defensors" into a particular area (very good television), or by artificially creating natural/artificial disasters which killed whomever they disliked most. But, again, this would be the Capitol's doing: an evil force acting evilly which one cannot stop. One would have been preserved from sinking to doing/becoming evil.

The other moral route, the more perfect route, would be the route of Jesus: to willfully become the sacrificial lamb for the sake of spiritual (and therefore) moral change. The martyrs of the Church have for ages followed this route, to the spiritual benefit of the whole Church, and the cultural benefit of all humanity. The spiritual benefit is quite and readily seen through the Communion of Saints, whereby these martyr's love renews and creates the Church anew, greatly adding to the spiritual gifts of which the rest of us partake---gifts which slowly transform us for the better, over years and generations. And it is this transformation which over the centuries affects culture. Gradually better people live their lives out in gradually better communities. And Love wins out at the end of time. After all, very few societies nowadays would consider it acceptable to inflict the tortures which were inflicted to prisoners (especially Christians) in the ancient days of Rome: we are all repulsed by the Capitol's Decree of Punishment. If we only partook more of those graces which Christ offers through His Church!

One particular odd feature of the book (and the film) is the avoidance of any mention of God or religion whatsoever. Not even empty phrases deriving from religion appear ("My Gosh", "God willing", Christmas, Thanksgiving, etc.). Why is that, especially when the subject matter so clearly lends itself to a religious treatment? Why is that, when the least historically educated among us would have heard the stories of the Christians ushered into the Colosseum to be executed/sacrificed? The closest religious reference is when Katniss Everdeen improvises a type of tribute around a fallen friend and ally in the game by creating a bed of flowers for her: the very earliest expressions of the religious impulse, as some Anthropologists would tell us. Why has the author scrubbed her book from religion at all? Is she so antagonistic to religion that she will not abide it in her book, even when it seems quite apt? If so, the bed of flowers tell us that the most primitive of religious impulses remain with her still. Or is the author trying to appeal to everyone, thus removing religion from the surface of her story so as to not alienate people of different religion than the one she chose to portray, while at the same time infusing her work with religious themes at the substrate level, where they are more powerful? Or is her point that the despotic Capitol destroyed all hope quite successfully, even the Hope of God? Given the richness of the religious themes I see in this book/movie below the surface, I am very much inclined to believe that the last of these options is the correct one. But I may be seeing what I want to see, simply because I like the story.

Now, turning to the more artistic features of the movie: The most impressive performance was done by the actor who played President Snow. His facial expressions were insuperable and spoke tons in the few lines he delivered throughout the film. His performance was astoundingly good, his face delivering contempt, skepticism, and hatred (sometimes all at once) along with the "weight of office" while speaking seemingly innocuous lines, or even while congratulating the winners (there were two winners from District 12, thanks to the cleverness of Katniss Everdeen in turning the television show against its organizers!) of the 74th Hunger Games. He single-handedly set up the next movie installment.

But the casting of Peeta is all wrong. From the book it is clear that Peeta is not handsome at all, that Peeta is the boring guy who never had a chance when it came to women, and who doesn't have a chance when it comes to Katniss Everdeen who clearly has feelings for another guy. Which makes it all the more poignant that he is desperately in love with her, and is willing to give up his life for her. In the movie he is played by a movie-star-handsome actor who clearly would have trouble keeping women away from him, and who would therefore be quite self-centered and clueless, rather than the thoughtful man he is in the book.
I had not really bothered to put this movie on my to-watch shelf since I felt it was not really my cup of tea but when my wife and oldest son wondered why we did not have it in our collection I thought, well, okay let us get it then. Actually I got the set with the two movies that have been released and yesterday we watched the first one.

Well, as far as I am concerned, it is not a turkey, it is rather “okayish” but I certainly do not understand all the hype. It is really far from a great movie. But then, I am probably somewhat biased since, as I wrote above, I did not really think this movie was my cup of tea. Anyway, it starts of with a lot of scenes in “wobblycam”. I have not met any person outside of the movie industry and self-proclaimed so-called “critics” that actually likes it when the camera wobbles around, scenes are blurred and you generally get nauseous by watching. Bad start!

The backbone of the story is ludicrous to say the least. Part of the world leaves in luxury when the rest is starving. Been there, seen that. Every year a seemingly random selection of kids, not adults but kids, are selected to fight to the death under some silly pretext of “preserving the peace”. As I said, ludicrous. The entire air of ludicrousness is enforced by the wacky costumes, makeup and hair styles of the people in the capitol. As I science fiction and fantasy fan I could easily live with this but, sadly, the movie made me only mildly interested in following the characters to the end.

The acting in general is adequate but nothing special. Having said that it must be difficult to actually make anything out of some of the silly roles in this movie. I for sure would laugh my head off every time I entered a scene with all of those ludicrous (yes I know I have used that word a lot in this review, live with it) costumes. The main characters act like the children, with absolutely no clue what they are doing, that they indeed are. This is of course entirely in line with the story but still, the main character is spending a lot of the time running away and sitting around looking startled, sorry or depressed when the games start. I have to say that, at times, the movie felt a bit boring. I have liked several movies that are very slow but here it simply did not sit right.

The games themselves with those dickheads in control and the changing rules, well they were mostly frustrating.

This movie, to me, is a movie for a young adult audience. I have not read the books and I can see how this kind of story would work for a YA book. Personally I was not unhappy having seen the movie and now, having watched the first of the movies I will watch the rest as well but for me it was okay as a two-hour diversion, nothing more.
I don't really know what's so special about this movie. I found "The Running Man" or "Total Recall" much more deep thought than this. Is it maybe that the main character is a female?

Still, it is entertaining and, in this regard, it does its job.
The Hunger Games is a new concept in a long line of post-apocalyptic future fantasies. Where other stories of the same genre often deal with technology and artificial intelligence as the main threat to human existence, Hunger Games actually takes us back to Roman times, with a revitalised version of "Panem et Circenses" or "Bread and Circuses". Simply put; human devastation as mass entertainment. Welcome to Panem: formally known as The United States of America, where every year, a young man and woman from each of the twelve districts are selected to fight each other to the death, with only one possible survivor. These Games are broadcasted on national television as a means to keep the people happy and submissive.

Considering the fact that this film is based on a teen book series (written by Suzanne Collins), I can't help but feel this concept is pretty far out there, and actually it's kind of sick. It's not a pretty idea to think that one day we might live in a world where watching young people, ranging from 12 to 18 years old, brutally murder each other is considered to be a form of mass entertainment. Thankfully, this is 'just' a story, and I must say, a very entertaining one at that (no pun intended).

The story revolves around the two youngsters from District 12, where the people are dirt poor and life is utterly desolate. 16-year-old Katniss Everdeen volunteers as 'tribute' to fight in the Hunger Games, after her little sister is initially selected. Her male counterpart is Peeta Mellark, and together they set off to train for and participate in the Games.

The character of Katniss is played by Jennifer Lawrence, and she is terrific. Actually, she is my biggest recommendation for watching this film. Before this, I had only seen her in X-Men: First Class and thought she was pretty good, but after seeing The Hunger Games, it's not hard to see why this 21-year-old already has her first Oscar nomination under her belt. She has a very natural quality about her, which makes it very easy to make you empathise with her character. She's not a superficial, happy-go-lucky kind of girl; she's actually very sullen, not even particularly likable. And yet you just love her from the get go. I guess it's charisma, and Jennifer Lawrence definitely has it.

Actually, this film is full of great actors. One of the greatest is definitely Stanley Tucci, who plays his most flamboyant role yet. His character (Caesar Flickerman, the TV-host who emcees the Games) is ridiculously over-the-top, but brilliantly amusing. With blue hair, prosthetic teeth and a big horse's smile which he flashes incessantly, he looks like a PG-13 version of the Joker. And if you're at all familiar with Tucci's work and talent, you know just what I mean when I say he's making this character appear to be oh-so nice, yet subtly sadistic at the same time. He's just great, period. Woody Harrelson also has a pretty interesting role as Haymitch Abernathy, a once-winner of the Hunger Games, who now mentors Katniss and Peeta in their training. He's scruffy and gnarly, basically just typically another weird Woody character, which is always worth the watch. Wes Bentley plays Seneca Crane, a character most notable for his unusual facial hair: he sports a beard Lucifer himself would be proud of. However, the biggest surprise to me was Elizabeth Banks, whom I am well familiar with, but never really cared for because I only know her from superficial, comedic roles. I was pleasantly surprised to see that she can also play challenging roles like this one. She plays Effie Trinket, a bizarre, neo-Renaissance type from the richest District, big wig, crazy make-up and all. She's pretty much the female version of Tucci's character and she was a delight to watch, beautifully grotesque in all her decadence.

Unfortunately, it can't all be great. I had three major problems with this film. One: if you haven't read the book, there's a lot that doesn't make sense. They really should have spent a little more time explaining everything, because more than once it simply wasn't clear to me what was going on and why. And that's a risk no filmmaker should take. Two: Peeta's character. It could be just me of course, but he annoyed the crap out of me. He just comes across as such a sissy that it's frustrating to watch. Katniss burns her leg and deals with it. Peeta cuts his leg and stays lying in a cave because he "can't walk". And then he lets her take care of him, at the risk of her own life. Give me a break. Three: totally disappointing climax. I was waiting for fireworks, for Katniss having to make brutal decisions, but this never happened. It just kind of faded out.

And this is how you can clearly tell this story has a mainly teenage demographic, and they obviously wanted to keep it PG-13. Because despite the sometimes pretty brutal violence, nasty use of weaponry and tomato ketchup-a-plenty, overall the whole just lacked, well (pardon my French)...balls. You can tell they tried to spike things up a bit here and there, but the film failed to make things truly interesting at moments where it definitely should have been. In my opinion, had they decided to make this rated-R, it would have been infinitely better.

Having said that, you can rest assured there is still plenty to enjoy. Visually it is absolutely awesome and simply beautiful. The costumes and make-up are great, as are the CGI effects. The characters (aside from Peeta...) are great, and the whole futuristic 'universe' that is created is pretty inventive.

There is actually still a lot more I would like to say, but I've reached my word-limit, so I'll just leave you with this: Thumbs up!
_(April 2012)_
A powerful movie that crosses several genres. From various post-apocalyptic movies we are shown the world after a worldwide disaster that has destroyed our civilization and left a more brutal one. From Spartacus the idea of gladiator games, with the added horror that these "fighters" are children who are presumably too naive to put up any resistance to the regime. From 1984 we have futuristic technology which can monitor anything the victims do, giving them no privacy in their last moments.

But the originality is in the heroine -- a tomboy determined to stay alive without losing her integrity. How can she keep herself and her friends alive in a fight when only one victim will be allowed to leave the arena intact, and an entire decadent empire is arrayed against her? This part was given to Jennifer Lawrence, who impressed audiences so well that she inspired numerous later action heroines -- Tris in DIVERGENT, Wonder Woman, Arya Stark, and others

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